land or a
half-established throne in a country no bigger than a small province,
but the supreme sovereign of a vast empire, at the time of its greatest
splendor and prosperity, with no mortal power to keep his will in
check,--nothing but the voice within him; nothing but the sense of duty;
nothing but the desire of promoting the happiness of others: and this
man a Pagan!
But the state of that Empire, with all its prosperity, needed such a man
to arise. If anything or anybody could save it, it was that succession
of good emperors of whom Marcus Aurelius was the last, in the latter
part of the second century. Let us glance, in closing, at the real
condition of the Empire at that time. I take leave of the man,--this
"laurelled hero and crowned philosopher," stretching out his hands to
the God he but dimly saw, and yet enunciating moral truths which for
wisdom have been surpassed only by the sacred writers of the Bible, to
whom the Almighty gave his special inspiration. I turn reluctantly from
him to the Empire he governed.
Gibbon says, in his immortal History, "If a man were called to fix the
period in the history of the world during which the condition of the
human race was most happy and prosperous, he would, without hesitation,
name that which elapsed from the death of Domitian to the accession of
Commodus."
This is the view that Gibbon takes of the prosperity of the old Roman
world under such princes as the Antonines. Niebuhr, however, a greater
critic, though not so great an artist, takes a different view; and both
are great authorities. If Gibbon meant simply that this period was the
happiest and most prosperous during the imperial reigns, he may not have
been far from the truth, according to his standpoint of what human
happiness consists in,--that external prosperity which was the blessing
of the Old Testament, and which Macaulay exalts as proudly as Gibbon
before him. There _was_ this external prosperity, so far as we know, and
we know but little aside from monuments and medals. Even Tacitus shrank
from writing contemporaneous history, and the period he could have
painted is to us dark, mysterious, and unknown. Still, it is generally
supposed and conceded that the Empire at this time was outwardly
splendid and prosperous. Certainly there was a period of peace, when no
wars troubled the State but those which were distant,--on the very
confines of the Empire, and that with rude barbarians, no more
formidable
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