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The Project Gutenberg EBook of The Dore Gallery of Bible Illustrations, Volume 1, by Anonymous, Illustrated by Gustave Dore This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Dore Gallery of Bible Illustrations, Volume 1 Illustrated by Gustave Dore Author: Anonymous Release Date: July 28, 2004 [EBook #8701] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK DORE BIBLE GALLERY, VOL. 1 *** Produced by David Widger THE DORE GALLERY OF BIBLE ILLUSTRATIONS Illustrated by Gustave Dore Volume 1. This volume, as its title indicates, is a collection of engravings illustrative of the Bible--the designs being all from the pencil of the greatest of modern delineators, Gustave Dore. The original work, from which this collection has been made, met with an immediate and warm recognition and acceptance among those whose means admitted of its purchase, and its popularity has in no wise diminished since its first publication, but has even extended to those who could only enjoy it casually, or in fragmentary parts. That work, however, in its entirety, was far too costly for the larger and ever-widening circle of M. Dore's admirers, and to meet the felt and often-expressed want of this class, and to provide a volume of choice and valuable designs upon sacred subjects for art-loving Biblical students generally, this work was projected and has been carried forward. The aim has been to introduce subjects of general interest--that is, those relating to the most prominent events and personages of Scripture--those most familiar to all readers; the plates being chosen with special reference to the known taste of the American people. To each cut is prefixed a page of letter-press--in, narrative form, and containing generally a brief analysis of the design. Aside from the labors of the editor and publishers, the work, while in progress, was under the pains-taking and careful scrutiny of artists and scholars not directly interested in the undertaking, but still having a generous solicitude for its success. It is hoped, therefore, that its general plan and execution will render it acceptable both to
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