he arched
eyebrows; safer even, though so much less beautiful, than Miss Overmore,
on whose loveliness, as she supposed it, the little girl was faintly
conscious that one couldn't rest with quite the same tucked-in and
kissed-for-good-night feeling. Mrs. Wix was as safe as Clara Matilda,
who was in heaven and yet, embarrassingly, also in Kensal Green, where
they had been together to see her little huddled grave. It was from
something in Mrs. Wix's tone, which in spite of caricature remained
indescribable and inimitable, that Maisie, before her term with her
mother was over, drew this sense of a support, like a breast-high
banister in a place of "drops," that would never give way. If she knew
her instructress was poor and queer she also knew she was not nearly so
"qualified" as Miss Overmore, who could say lots of dates straight off
(letting you hold the book yourself), state the position of Malabar, play
six pieces without notes and, in a sketch, put in beautifully the trees
and houses and difficult parts. Maisie herself could play more pieces
than Mrs. Wix, who was moreover visibly ashamed of her houses and trees
and could only, with the help of a smutty forefinger, of doubtful
legitimacy in the field of art, do the smoke coming out of the chimneys.
They dealt, the governess and her pupil, in "subjects," but there were
many the governess put off from week to week and that they never got to
at all: she only used to say "We'll take that in its proper order." Her
order was a circle as vast as the untravelled globe. She had not the
spirit of adventure--the child could perfectly see how many subjects she
was afraid of. She took refuge on the firm ground of fiction, through
which indeed there curled the blue river of truth. She knew swarms of
stories, mostly those of the novels she had read; relating them with
a memory that never faltered and a wealth of detail that was Maisie's
delight. They were all about love and beauty and countesses and
wickedness. Her conversation was practically an endless narrative,
a great garden of romance, with sudden vistas into her own life and
gushing fountains of homeliness. These were the parts where they most
lingered; she made the child take with her again every step of her long,
lame course and think it beyond magic or monsters. Her pupil acquired a
vivid vision of every one who had ever, in her phrase, knocked against
her--some of them oh so hard!--every one literally but Mr. Wix, her
husb