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you love me?" he whispered, and caressed her knees. "Get up," he heard her voice, "get up, Fedor Ivanitch. What are we doing?" He got up and sat beside her on the seat. She was not weeping now, and she looked at him steadfastly with her wet eyes. "It frightens me: what are we doing?" she repeated. "I love you," he said again. "I am ready to devote my whole life to you." She shuddered again, as though something had stung her, and lifted her eyes towards heaven. "All that is in God's hands," she said. "But you love me, Lisa? We shall be happy." She dropped her eyes; he softly drew her to him, and her head sank on to his shoulder.... He bent his head a little and touched her pale lips. Half an hour later Lavretsky was standing before the little garden gate. He found it locked and was obliged to get over the fence. He returned to the town and walked along the slumbering streets. A sense of immense, unhoped-for happiness filled his soul; all his doubts had died away. "Away, dark phantom of the past," he thought. "She loves me, she will be mine." Suddenly it seemed to him that in the air over his head were floating strains of divine triumphant music. He stood still. The music resounded in still greater magnificence; a mighty flood of melody--and all his bliss seemed speaking and singing in its strains. He looked about him; the music floated down from two upper windows of a small house. "Lemm?" cried Lavretsky as he ran to the house. "Lemm! Lemm!" he repeated aloud. The sounds died away and the figure of the old man in a dressing-gown, with his throat bare and his hair dishevelled, appeared at the window. "Aha!" he said with dignity, "is it you?" "Christopher Fedoritch, what marvellous music! for mercy's sake, let me in." Without uttering a word, the old man with a majestic flourish of the arm dropped the key of the street door from the window. Lavretsky hastened up-stairs, went into the room and was about to rush up to Lemm; but the latter imperiously motioned him to a seat, saying abruptly in Russian, "Sit down and listen," sat down himself to the piano, and looking proudly and severely about him, he began to play. It was long since Lavretsky had listened to anything like it. The sweet passionate melody went to his heart from the first note; it was glowing and languishing with inspiration, happiness and beauty; it swelled and melted away; it touched on all that is precious, mysterious, a
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