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wherever he stopped, that at last the superiors thought it best to let him live as he liked in a curacy of his brother's. He never ceased troubling La Trappe, to which he wished to return; so that at last I obtained a 'lettre de cachet', which prohibited him from approaching within thirty leagues of the abbey, and within twenty of Paris. It was I who made known to him that his abominations had been discovered. He was in no way disturbed, declared he was glad to be free, and assured me with the hypocrisy which never left him, that in his solitude he was going to occupy himself in studying the Holy Scriptures. Bonnceil, introducer of the ambassadors, being dead, Breteuil obtained his post. Breteuil was not without intellect, but aped courtly manners, called himself Baron de Breteuil, and was much tormented and laughed at by his friends. One day, dining at the house of Madame de Pontchartrain, and, speaking very authoritatively, Madame de Pontchartrain disputed with him, and, to test his knowledge, offered to make a bet that he did not know who wrote the Lord's Prayer. He defended himself as well as he was able, and succeeded in leaving the table without being called upon to decide the point. Caumartin, who saw his embarrassment, ran to him, and kindly whispered in his ear that Moses was the author of the Lord's Prayer. Thus strengthened, Breteuil returned to the attack, brought, while taking coffee, the conversation back again to the bet; and, after reproaching Madame de Pontchartrain for supposing him ignorant upon such a point, and declaring he was ashamed of being obliged to say such a trivial thing, pronounced emphatically that it was Moses who had written the Lord's Prayer. The burst of laughter that, of course, followed this, overwhelmed him with confusion. Poor Breteuil was for a long time at loggerheads with his friend, and the Lord's Prayer became a standing reproach to him. He had a friend, the Marquis de Gesvres, who, upon some points, was not much better informed. Talking one day in the cabinet of the King, and admiring in the tone of a connoisseur some fine paintings of the Crucifixion by the first masters, he remarked that they were all by one hand. He was laughed at, and the different painters were named, as recognized by their style. "Not at all," said the Marquis, "the painter is called INRI; do you not see his name upon all the pictures?" What followed after such gross stupidity and ignorance may
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