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so. We entered into a long discussion touching various matters. In truth she showed herself a prudent, discreet, and good-natured lady."(1) 1 See Gregorovius's Lucrezia Borgia. The handsome, athletic Cardinal Ippolito d'Este, with his brothers Sigismondo and Fernando, had arrived in Rome on December 23 with the imposing escort that was to accompany their brother Alfonso's bride back to Ferrara. Cesare was prominent in the welcome given them. Never, perhaps, had he made greater display than on the occasion of his riding out to meet the Ferrarese, accompanied by no fewer than 4,000 men-at-arms, and mounted on a great war-horse whose trappings of cloth of gold and jewels were estimated at 10,000 ducats. The days and nights that followed, until Lucrezia's departure a fortnight later, were days and nights of gaiety and merry-making at the Vatican; in banquets, dancing, the performance of comedies, masques, etc., was the time made to pass as agreeably as might be for the guests from Ferrara, and in all Cesare was conspicuous, either for the grace and zest with which he nightly danced, or for the skill and daring which he displayed in the daily joustings and entertainments, and more particularly in the bull-fight that was included in them. Lucrezia was splendidly endowed, to the extent, it was estimated, of 300,000 ducats, made up by 100,000 ducats in gold, her jewels and equipage, and the value of the Castles of Pieve and Cento. Her departure from Rome took place on January 6, and so she passes out of this chronicle, which, after all, has been little concerned with her. Of the honour done her everywhere on that journey to Ferrara, the details are given elsewhere, particularly in the book devoted to her history and rehabilitation by Herr Gregorovius. After all, the real Lucrezia Borgia fills a comparatively small place in the actual history of her house. It is in the fictions concerning her family that she is given such unenviable importance, and presented as a Maenad, a poisoner, and worse. In reality she appears to us, during her life in Rome, as a rather childish, naive, and entirely passive figure, important only in so far as she found employment at her father's or brother's hands for the advancement of their high ambitions and unscrupulous aims. In the popular imagination she lives chiefly as a terrific poisoner, an appalling artist in venenation. It is remarkable that this should be the case, for no
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