and men for more than
twenty years to complete it. It has been called a masterpiece of art, "a
poem in stone."
A portico of red sandstone admits one to a long terrace built of white
marble blocks, with wonderful gardens on each side and a canal
reflecting the dark cypress trees. The tomb stands among these,
reflected in the water. It is an octagonal building rising to a great
dome, with smaller ones with minarets. All is built of marble and
covered with exquisite carvings and inlays of flowers of turquoise and
onyx, with sentences from the Koran in black marble. It is all simple,
harmonious, and exquisitely beautiful. Within, in the bare central space
are the two plain tombs, covered with what is like a pall of carved,
lacy marble. The whole forms one of the art treasures of the Orient.
CHAPTER IX
FOUR SHORT PROGRAMS
PART I
I--A GROUP OF FAMOUS BOOKS
Each of the six masterpieces of fiction suggested for this program must
be read by the members of the club in preparation for their presentation
at the different meetings. The plots and characters must be familiar, to
have intelligent discussion.
When studying each book begin with a sketch of the life and work of the
author; follow with an outline of the plot of the book and a description
of each of the principal characters. Readings from all the books and
criticisms upon them may be found in "Warner's Library of the World's
Best literature."
FRENCH, GERMAN, RUSSIAN, AND SPANISH
A French book, "Les Miserables," is one of the best known books of
history as well as literature, for it has to do with many vital social
questions and reforms. Notice Victor Hugo's descriptive powers and
discuss whether the book shows a knowledge of actual life or is largely
theoretical. As it is the moral purpose of the book which has given it
vitality, study the attitude of society toward the outcast and the
criminal as the author gives it. Does the artist in him at times
overpower his moral sense? Compare the treatment of the criminal then
and at the present time. In spite of the faults of construction, how
does the book rank as literature?
Goethe's "Wilhelm Meister" stands in the front rank among German novels.
Give an outline of the book. Is there a plot? Is the book an
autobiography? If not, how far does Goethe give his own experiences? Is
the book a study in realism or does it deal with the unnatural? In what
does the power of the book lie? What has the au
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