to left at the forks, then first left
onto School Street, and bear to right at forks to the first cross
street, turn to right onto Division Street, and cross the river, turn to
left onto Pleasant Street, the continuation of which is Seven Point
Road, take first left beyond cemetery, then follow Blackstone Boulevard
to the end, and continue via of Butler Avenue, following car tracks, and
turning to right at Angell Street, pass the asylum wall, take third
street to left, follow Cook Street, turn to right onto Benevolent
Street, right onto Benefit Street, turn to left onto College Street, and
down hill into Market Square.

NOTE.--Map of New York city asphalted streets in No. 809. Map of
route from New York to Tarrytown in No. 810. New York to Stamford,
Connecticut, in No. 811. New York to Staten Island in No. 812. New
Jersey from Hoboken to Pine Brook in No. 813. Brooklyn in No 814.
Brooklyn to Babylon in No. 815. Brooklyn to Northport in No. 816.
Tarrytown to Poughkeepsie in No. 817. Poughkeepsie to Hudson in
No. 818, Hudson to Albany in No. 819. Tottenville to Trenton in No
820. Trenton to Philadelphia in No. 821. Philadelphia in No. 822.
Philadelphia-Wissahickon Route in No. 823. Philadelphia to West
Chester in 824. Philadelphia to Atlantic City--first Stage in No
825; Second Stage in No. 826. Philadelphia to Vineland--First
Stage in No. 827. Second Stage in No. 828. New York to
Boston--Second Stage in No. 829; Third Stage in No. 830; Fourth
Stage in No. 831; Fifth Stage in No. 832.

[Illustration: THE CAMERA CLUB]

Any questions in regard to photograph matters will be willingly
answered by the Editor of this column, and we should be glad to
hear from any of our club who can make helpful suggestions.

MOUNTING PICTURES FOR THE PRIZE COMPETITION.

Although directions for mounting prints have been given in this column,
still a few extra hints may not come amiss to our competitors.

The mounting of pictures has a great deal to do with their artistic
finish, and as technical excellence is one of the points on which the
prize pictures are to be marked, of course the mounting of the pictures
is included in this term.

There are many styles of card-mounts, and in selecting a mount be sure
that the color of the card harmonizes with the color of the print. Do
not use a gray mount for pictures with warm brown tones. A creamy-white