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d of vestals, in place of an emperor there was a pope. In details of speech, costume and mode there were further differences. Otherwise Rome was as pagan, murderous and gay. In the thick air of the high-viced city the poison of the antique purple dripped. But into the toxic a new ingredient had entered, a fresh element, a modern note. In the Rome of Nero a sin was a prayer. In the Rome of Leo X it was a taxable luxury. Anything, no matter what, was lawful provided an indulgence were bought. The Bank of Pardons was established for the obvious proceeds, but the latter were sanctified by their consecration to art. Among the results is St. Peter's. It was in a very different light that Luther contemplated them. The true founder of modern society, radical as innovators must be, dangerous as reformers are, it was with actual fury that he attacked the sale, attacked confession, the entire doctrine of original sin. The hysteria of asceticism was as inept to him as the celibacy of the priesthood; love he declared to be no less necessary than food and he preached to men, saying, "If women are recalcitrant, tell them others will consent; if Esther refuse, let Vashti approach."[60] Beauty, emerging meanwhile from her secular tomb, had uttered a new Fiat Lux. Spontaneously as the first creation there resulted another in which art became an object of worship. Suddenly, miraculously yet naturally, there sprang into being a race of sculptors inferior only to Pheidias, a race of painters superior even to Apelles, real artists who were great men in an epoch really great. It was said of Raphael that he had resuscitated the corpse of Rome. Benvenuto Cellini was absolved of a murder by Paul III on the ground that men like him were above the law. Julius II launched anathemas at any sovereign who presumed, however briefly, to lure from him Michel Angelo. Charles V, ruler of a realm wider than Alexander's, stooped and restored a brush which Titian had dropped, remarking as he did so, that only by an emperor could an artist be properly served. The epoch in which appeared these exceptional beings and with them lettered bandits comparable only to tigers in the gardens of Armide--the age which produced in addition to them, others equally, if differently, great, approached in its rare brilliance that of Pericles. Even Plato was there. "Since God has given us the Papacy," said Leo X, "let us enjoy it." In the enjoyment he had Plato for aid.
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