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e by-play of intrigue, detectable only by eyes deep-skilled and trained,--these form the main attractions of a scene wherein our modern civilization is more strikingly exhibited than in any other situation. Scarcely had Lizzy Davis taken her seat than a low murmur of wondering admiration ran through the whole house, and, in the freedom which our present-day habits license, every opera-glass was turned towards her. Totally unconscious of the admiration she was exciting, her glances ranged freely over the theatre in every part, and her eyes were directed from object to object in amazement at the gorgeousness of the scene around her. Seated far back in the box, entirely screened from view, her father, too, perceived nothing of that strange manifestation wherein a sort of homage is blended with a degree of impertinence, but watched the stage with intense eagerness. Very different from the feelings of either father or daughter were the feelings of Annesley Beecher. He knew well the opera and its habits, and as thoroughly saw that it is to the world of fashion what Tattersall's or the turf is to the world of sport,--the great ring where every match is booked, every engagement registered, and every new aspirant for success canvassed and discussed. There was not a glance turned towards the unconscious girl at his side but he could read its secret import. How often had it been his own lot to stare up from his stall at some fair face, unknown to that little world which arrogates to itself all knowledge, and mingle his criticism with all the impertinences fashion loves to indulge in! The steady stare of some, the unwilling admiration of others, the ironical gaze of more, were all easy of interpretation by him, and for the very first time in his life he became aware of the fact that it was possible to be unjust with regard to the unknown. As the piece proceeded, and her interest in the play increased, a slightly heightened color and an expression of half eagerness gave her beauty all that it had wanted before of animation, and there was now an expression of such captivation on her face that, carried away by that mysterious sentiment which sways masses, sending its secret spell from heart to heart, the whole audience turned from the scene to watch its varying effects upon that beautiful countenance. The opera was "Rigoletto," and she continued to translate to her father the touching story of that sad old man, who, lost to every s
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