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of the Montreal Court House; with its long list of autographs of Governor, Intendant, and high officials, civil and military, scions of the nobility of the country, appended thereto. The annals of the family tell us that some of them died in infancy, several met violent and untimely deaths, two of the sisters took conventual vows in the cloisters of Quebec, two married, having descendants now living in France and Canada, and two remained unmarried. De Ramezay came over as a captain in the army with the Viceroy de Tracy, and was remarkable for his highly refined education, having been a pupil of the celebrated Fenelon, who was said to have been the pattern of virtue in the midst of a corrupt court, and who was entrusted by Louis the Fourteenth with the education of his grandsons, the Dukes of Burgundy, Anjou and Berri. Had the first named, who was heir-presumptive to the throne, lived to practice the princely virtues, the seeds of which his preceptor had sown in his heart, some of the most bloody pages in French history might never have been written. De Ramezay, for many years being Governor of Montreal, held official court in the Council chamber to the right of the entrance hall of the Chateau, which is now a museum of rare and valuable relics of Canada's past. The Salon was the scene of many a gay rout, as Madame de Ramezay, imitating the brilliant social and political life as it was in France in the time of _Le Grand Monarque_, transplanted to the wilds of America some reflection of court ceremonial and display as they culminated in that long and brilliant reign. From the dormer windows above, high-bred French ladies looked at the sun rising over the forest-clothed shores of the river, on which now stands the architectural grandeur of the modern city. How strange to the swarthy-faced dwellers in the wigwam must the old-time gaieties have appeared, as the lights from the silver _candelabres_ shone far out in the night, when the old Chateau was _en fete_ and aglow with music, dancing and laughter. What a contrast to the burden-bearing squaws were the dainty French women in stiff brocade and jewels, high heels, paint, patches and tresses _a la Pompadour_, tripping through the stately measures of the minuet to the sound of lute or harpsichord! "O, fair young land of _La Nouvelle France_, With thy halo of olden time romance, Back like a half-forgotten dream Come the bygone days of the old _Regi
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