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Eldon's own tears were pumped very freely. Did these two fountains gush together? I can't fancy a behaviour more unmanly, imbecile, pitiable. This a Defender of the Faith! This a chief in the crisis of a great nation! This an inheritor of the courage of the Georges! Many of my hearers no doubt have journeyed to the pretty old town of Brunswick, in company with that most worthy, prudent, and polite gentleman, the Earl of Malmesbury, and fetched away Princess Caroline for her longing husband, the Prince of Wales, Old Queen Charlotte would have had her eldest son marry a niece of her own, that famous Louisa of Strelitz, afterwards Queen of Prussia, and who shares with Marie Antoinette in the last age the sad pre-eminence of beauty and misfortune. But George III had a niece at Brunswick: she was a richer princess than her Serene Highness of Strelitz:--in fine, the Princess Caroline was selected to marry the heir to the English throne. We follow my Lord Malmesbury in quest of her; we are introduced to her illustrious father and royal mother; we witness the balls and fetes of the old Court; we are presented to the princess herself, with her fair hair, her blue eyes, and her impertinent shoulders--a lively, bouncing, romping princess, who takes the advice of her courtly English mentor most generously and kindly. We can be present at her very toilette, if we like, regarding which, and for very good reasons, the British courtier implores her to be particular. What a strange Court! What a queer privacy of morals and manners do we look into! Shall we regard it as preachers and moralists, and cry, Woe, against the open vice and selfishness and corruption; or look at it as we do at the king in the pantomime, with his pantomime wife, and pantomime courtiers, whose big heads he knocks together, whom he pokes with his pantomime sceptre, whom he orders to prison under the guard of his pantomime beefeaters, as he sits down to dine on his pantomime pudding? It is grave, it is sad, it is theme most curious for moral and political speculation; it is monstrous, grotesque, laughable, with its prodigious littlenesses, etiquettes, ceremonials, sham moralities; it is as serious as a sermon, and as absurd and outrageous as Punch's puppet-show. Malmesbury tells us of the private life of the duke, Princess Caroline's father, who was to die, like his warlike son, in arms against the French; presents us to his courtiers, his favourite; his duchess, Ge
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