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ature had been generous to her, but she had done far more for herself than Nature had. Her matchless skin, her figure, her hands, her voice, were all the result of painstaking and intelligent care. Annie had been a headstrong, undisciplined girl twenty years ago. She had come back from a European visit, at twenty-three, with a vague if general reputation of being "a terror." But Annie was clever, and she had real charm. She spoke familiarly of European courts, had been presented even in inaccessible Vienna. She spoke languages, quoted poets, had great writers and painters for her friends, and rippled through songs that had been indisputably dedicated, in flowing foreign hands, to the beautiful Mademoiselle Melrose. Society bowed before Annie; she was the sensation of her winter, and the marriage she promptly made was the most brilliant in many winters. Annie proceeded to bear her sober, fine, dull, and devoted Hendrick two splendid sons, and thus riveted to herself his lasting devotion and trust. The old name was safe, the millions would descend duly to young Hendrick and Piet. The family had been rich, conspicuous, and respected in the city, since its sturdy Holstein cattle had browsed along the fields of lower Broadway, but under Annie's hands it began to shine. Annie's handsome motor-cars bore the family arms, her china had been made in the ancestral village, two miles from Rotterdam, and also carried the shield. Her city home, in Fifth Avenue, was so magnificent, so chastely restrained and sober, so sternly dignified, that it set the cue for half the other homes of the ultra-aristocratic set. Annie's servants had been in the Von Behrens family for years; there was nothing in the Avenue house, or the Newport summer home, that was not as handsome, as old, as solid, as carven, as richly dull, or as purely shining, as human ingenuity could contrive to have it. Collectors saved their choicest discoveries for Annie; and there was no painter in the new world who would not have been proud to have Annie place a canvas of his among her treasures from the old. If family relics were worth preserving, what could be more remarkable than Annie's Washington letter, her Jefferson tray, her Gainsboroughs of the Murisons who had been the only Americans so honoured by the painter? Melrose and Von Behrens honours crowded each other--here was the thin old silver "shepherdess" cup awarded that Johanna von Behrens who had won a prize wi
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