ble with the
bliss of being held in a father's arms, and pressed to his heart? Why
doth this bosom heave--why do thine eyes sparkle as if with fire, and
thy cheeks glow with the rosy hue of a ripe peach? What meaneth that
longing, languishing, earnest, voluptuous look? Doth my daughter yearn
after the soft joys of Venus?--Confess it, and I'll forgive thee; for
thou art a passionate darling, and such desires as now swell within my
breast become thee well, for they are nature's promptings, and enhance
thy beauty. Ah, ha! that blush, glowing like a cloud at sunset, assures
me that I am not mistaken. Yes, hide thy radiant face in my bosom, and
let me gather thee closer to my heart--my life--my treasure! Let me no
longer play the father; let me be thy lover--thy all--thy own
Timothy--thy chosen Tickels! Ah, my bird, have I caught thee at
last?--thou art mine--mine--mine--"
Every circumstance of position and the lady's compliance seemed about to
confer upon Mr. Tickels the boon which he so eagerly desired, when at
that critical moment the Duchess uttered a piercing scream, and pointed
frantically upward to a large mirror that hung directly over the sofa
upon which they were partially reclining; the old libertine glanced
hurriedly up at the mirror, and to his horror he saw there reflected the
figure of the Chevalier Duvall, standing in the centre of the room. He
had entered abruptly and noiselessly, and was contemplating the scene
before him with every appearance of astonishment and rage.
[C] As an apology for the insertion of this silly, sickening rhapsody of
the old libertine, the author begs to state that he introduced it, (as
well as other speeches of a like character,) for the purpose of
painting, in strong colors, the disgusting lechery of a man, whose
primal passions had degraded him to the level of a brute. He would also
assure the reader that the character of old Tickels is drawn from a
living original, whose real name sounds very much like the curious
cognomen that has been assigned him. It will readily be observed that
during the entire scene between him and the Duchess, the latter makes
him her complete tool--encouraging him to take the very liberties which
she affects to resent, and even while declaring her firm intention of
remaining virtuous, using language most calculated to inspire him with
the thought of being able to enjoy her charms in the end. Her object in
all this will be shown towards the conclusion
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