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ble with the bliss of being held in a father's arms, and pressed to his heart? Why doth this bosom heave--why do thine eyes sparkle as if with fire, and thy cheeks glow with the rosy hue of a ripe peach? What meaneth that longing, languishing, earnest, voluptuous look? Doth my daughter yearn after the soft joys of Venus?--Confess it, and I'll forgive thee; for thou art a passionate darling, and such desires as now swell within my breast become thee well, for they are nature's promptings, and enhance thy beauty. Ah, ha! that blush, glowing like a cloud at sunset, assures me that I am not mistaken. Yes, hide thy radiant face in my bosom, and let me gather thee closer to my heart--my life--my treasure! Let me no longer play the father; let me be thy lover--thy all--thy own Timothy--thy chosen Tickels! Ah, my bird, have I caught thee at last?--thou art mine--mine--mine--" Every circumstance of position and the lady's compliance seemed about to confer upon Mr. Tickels the boon which he so eagerly desired, when at that critical moment the Duchess uttered a piercing scream, and pointed frantically upward to a large mirror that hung directly over the sofa upon which they were partially reclining; the old libertine glanced hurriedly up at the mirror, and to his horror he saw there reflected the figure of the Chevalier Duvall, standing in the centre of the room. He had entered abruptly and noiselessly, and was contemplating the scene before him with every appearance of astonishment and rage. [C] As an apology for the insertion of this silly, sickening rhapsody of the old libertine, the author begs to state that he introduced it, (as well as other speeches of a like character,) for the purpose of painting, in strong colors, the disgusting lechery of a man, whose primal passions had degraded him to the level of a brute. He would also assure the reader that the character of old Tickels is drawn from a living original, whose real name sounds very much like the curious cognomen that has been assigned him. It will readily be observed that during the entire scene between him and the Duchess, the latter makes him her complete tool--encouraging him to take the very liberties which she affects to resent, and even while declaring her firm intention of remaining virtuous, using language most calculated to inspire him with the thought of being able to enjoy her charms in the end. Her object in all this will be shown towards the conclusion
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