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its local color is exquisite, and that "the situation could not be more attractive than it is." The London "Saturday Review" says: "Around and beneath it all is the exquisite Italian atmosphere, in which no one knows better than Mr. Howells how to steep his pictures." The Chicago "Tribune" also finds this subtle characterization: "The city to which Mr. Howells leads his readers is not the revelling, brilliant Florence of Ouida. It is rather the Florence of Hawthorne,--quaint and dreamful. The story reminds one of a plant which grows in Old-World gardens,--so unobtrusive it is, and yet so rich in suggestion, so subtle-scented." The last "Lippincott's Magazine" says: "It will rank with the most charming of the author's work.... It is almost his first spiritual work. Not only has Mr. Howells thus risen above his own standards in this latest work, but he has risen above the standard of other novelists in one unique respect." * * * * * _Twelfth Thousand now ready._ THE RISE OF SILAS LAPHAM. By W. D. HOWELLS. $1.50. "'The Rise of Silas Lapham' invited more discussion than any serial since 'Daniel Deronda.'"--_Publisher's Weekly._ "The dust of his writings is fine gold. Delightful in its perfection."--_Philadelphia Record._ "The high-water mark of Mr. Howells's great and unique photographic genius."--_Pall Mall Gazette._ "A work of genius; a great and perfect work of its kind."--_New York Star._ NEW EDITIONS OF MR. HOWELLS'S NOVELS. ($1.50 each.) A MODERN INSTANCE. DR. BREEN'S PRACTICE. A WOMAN'S REASON. A FEARFUL RESPONSIBILITY. "There has been no more rigidly artistic writing done in America since Hawthorne's time."--_The Critic._ _Sold everywhere. Sent, postpaid, by_ =TICKNOR AND COMPANY, Boston.= ***END OF THE PROJECT GUTENBERG EBOOK A ROMANTIC YOUNG LADY*** ******* This file should be named 28236.txt or 28236.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/2/8/2/3/28236 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permi
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