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d most manifestly to typify the conflict of opposing elements--whether of Good and Evil, or of Light and Darkness, or of Heat and Cold, or of any other pair of antagonistic forces or phenomena. The typical hero of this class of stories, who represents the cause of right, and who is resolved by mythologists into so many different essences, presents almost identically the same appearance in most of the countries wherein he has become naturalized. He is endowed with supernatural powers, but he remains a man, for all that. Whether as prince or peasant, he alters but very little in his wanderings among the Aryan races of Europe. And a somewhat similar statement may be made about his feminine counterpart--for all the types of Fairy-land life are of an epicene nature, admitting of a feminine as well as a masculine development--the heroine who in the Skazkas, as well as in other folk-tales, braves the wrath of female demons in quest of means whereby to lighten the darkness of her home, or rescues her bewitched brothers from the thraldom of an enchantress, or liberates her captive husband from a dungeon's gloom. But their antagonists--the dark or evil beings whom the hero attacks and eventually destroys, or whom the heroine overcomes by her virtues, her subtlety, or her skill--vary to a considerable extent with the region they occupy, or rather with the people in whose memories they dwell. The Giants by killing whom our own Jack gained his renown, the Norse Trolls, the Ogres of southern romance, the Drakos and Lamia of modern Greece, the Lithuanian Laume--these and all the other groups of monstrous forms under which the imagination of each race has embodied its ideas about (according to one hypothesis) the Powers of Darkness it feared, or (according to another) the Aborigines it detested, differ from each other to a considerable and easily recognizable extent. An excellent illustration of this statement is offered by the contrast between the Slavonic group of supernatural beings of this class and their equivalents in lands tenanted by non-Slavonic members of the Indo-European family. A family likeness will, of course, be traced between all these conceptions of popular fancy, but the gloomy figures with which the folk-tales of the Slavonians render us familiar may be distinguished at a glance among their kindred monsters of Latin, Hellenic, Teutonic, or Celtic extraction. Of those among the number to which the Russian skazkas
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