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ch would otherwise be unsightly, being closed by an open framework in Arabesque. Through this the chandelier is lighted by a long rod, having at the end a wire, to which is attached a piece of ignited sponge soaked in spirits of wine: the chandelier is raised and lowered at pleasure by a three-ton windlass. Not less than eighty-five apartments, great and small, surround the stage or adjoin it, and are used as dressing-rooms, workshops, store-rooms, and offices. We first visited the dressing-room of Madame Grisi, nearest the stage, and it had the air of an elegant boudoir, hung and furnished in green and crimson; while another close beside it, fitted up in precisely the same style, was somewhat prematurely called the dressing-room of Mademoiselle Wagner. The dresses of the various performers, we may mention, are supplied by the management; but some of them, with large salaries, and priding themselves on appearing before the public in costly and well-fitting garments, choose to incur this expense themselves. The sempstresses-room looks exactly like a large milliner's shop, and here we found a forewoman with eighteen assistants at work. Books of costumes are always at hand, so that a degree of historical accuracy is now attained in Opera costume, which materially assists the illusion; and no such anachronism is visible in Covent Garden as in a certain theatre across the Thames, where, instead of the Saracenic minarets of Cairo, this gorgeous Arab city is represented by pyramids, obelisks, and sphynxes. The painting-room of Covent Garden is a light and lofty apartment at the top of the house, and the name of Mr Grieve is a sufficient guarantee both for historical accuracy and artistic character. Scene-painting, as practised at Covent Garden, is a most systematic process: a coloured miniature of each scene is made on Bristol-board, and consigned to an album; then a larger miniature is made, and placed in a model of the Opera stage, on a large table, and from this the scenes themselves are executed. Near the painting-room is the working property-room, filled with carpenters, mechanists, smiths, painters, and other artificers--everything either before or behind the curtain being kept up, repaired, and altered by the people of the establishment. We now proceeded to hear the rehearsal of the opera of _Lucia di Lammermoor_, and entering the stalls, found the orchestra full and nearly ready to commence, Mr Costa discussing
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