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(production, employment, accumulation, distribution), 19. " " their early struggles, due to their starting on wrong work, 23. Gentlemen, tradesmen to be accounted, 114. Ghiberti's gates, M. Angelo on, 46. " a goldsmith, 46. Ghirlandajo, a goldsmith, 46. " M. Angelo's master, 46. Giotto's frescoes, Assisi, perishing for want of care, 86. " discovered by Cimabue, 133. Glass, cut, waste of labour on, 34. " painted, French 1200-1300, the best, 169. God always sends men for the work, but we crush them, 133. " His work, its fulfilment by men, 122. Gold, its uses, as a medium of exchange, 150. " " incorruptible and to be used for lasting things, 46. " " not therefore to be used for coinage, 46. Goldsmiths, artists who have been, 46. " educational training for artists, 46 _n._ " work of, 45 _seq._ Government, enforcement of divine law, 121. " in details, 122 _seq._ " paternal, 14. " " "in loco parentis," 16 _n._ " " defined, 121. " principles of, at the root of economy, 11 " " Faith, Hope, Charity, 57. " to be conservative, but expectant, 58. " to form, not only reform, 15. " to give work to all who want it, 129. Great men and the public, 137 " the work they are sent to do, 133 Greatness, the humility of, 137. Greece, development of physical beauty, 176. Guilds of trade, decoration of their buildings, 116 _seq._ Hesiod's "Eris", 176. Historians, mistaken way of pointing out how great men are fitted for their work, 133. Historical painting as a means of education, 106-7. History, the study of mediaeval, as well as ancient, insisted on, 109. Horace, "justus, et propositi tenax," 182. " "prava jubentium," _ib._ Horse and man, bridling of, 18. Hospitals, decoration of, 114. Housewife, her seriousness and her smile, 10. Housewifery, perfect, 10. Humility of greatness, 137. " the companion of joy and usefulness, 168. Illustrations, modern, bad art of, 40. Independence, dishonest efforts after, 131. Indian shawls, design of, 173. Industry, its duty to the past and future, 72. Infidelity, modern, 177. Invention, national, of new wants, 138. Inventors, to be publicly rewarded, but to have no patents, 113. Island, desert, analogy of a, and political economy, 110. Italy, Austrians in, 78. " cradle of art, 82. " destruction of art in modern, 84. " modern art of, 85. "
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