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ked himself how he had failed to recognize his own wife? In the meeting with the child of the second marriage, her wild exultation, her impassioned invocation of Nemesis, was one of the most effective passages in the drama; and it caused a shiver to creep like a serpent over the body of the father, who pitied so tenderly the afflicted Maud. As the scheme of saying her own daughter, by sacrificing herself in a nominal marriage with the man whom she hated and loathed so intensely, developed itself, a perceptible chill fell upon the audience; the unnaturalness of the crime asserted itself. While she rendered almost literally the interviews at Pozzuoli and at Naples, Cuthbert glanced at his father, and saw a purplish flush steal from neck to forehead, but the old man's eyes never quitted the floor. He seemed incapable of moving, Gorgonized by the beautiful Medusa whose invectives against him were scathing, terrible. As the play approached its close and the preparation for the marriage, even the details of the settlement were narrated, suspense reached its acme. Then came the letters of reprieve, the deliverance from the bondage of Peterson's vindictive malice, the power of establishing her claim; and when she wept her thanksgiving for salvation, many wept in sympathy; while Regina, borne away in breathless admiration of her mother's wonderful genius, sobbed unrestrainedly. When the letters of Peterson and of the lawyer were read, mapping the line of prosecution for the recovery of the wife's rights, the father slowly raised his eyes, and, looking drearily at his son, muttered: "It is all over with us, Cuthbert. She has won; we are ruined. Let us go home." He attempted to rise, but with a glare of mingled wrath and scorn his son held him back. The last scene was reached; the triumphant vindication of wife and child, the condemnation of the two who had conspired to defraud them, the foreclosure of the mortgages, the penury of the proud aristocrats, and the disgrace that overwhelmed them. Finally the second wife and afflicted child came to crave leniency, and the husband and the father pleaded for pardon; but with a malediction upon the house that caused her wretchedness, the broken-hearted woman retreated to the palatial home she had at last secured, and under its upas shadow died in the arms of her daughter. Her play contained many passages which afforded her scope for the manifestation of her extraord
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