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more scraping, it can sometimes be sharpened by bending it up and down a few times, which has a tendency to put temper in the metal. Some reeds are curved at the point purposely to secure a certain voice. Do not interfere with the proper curvature when tuning. In tuning organs, the same system and general instruction given for piano tuning will apply; however, it is rarely, if ever, necessary to give an organ as thorough tuning as you would a piano. It is a very tedious job where you have to draw each reed, apply the proper method, insert it and try the result, thus cutting and trying each one perhaps several times before getting the desired result. In factories devices are used which render the operation very much easier. One thing you should know is, that organs are not tempered as finely as pianos, nor is there the pains taken to secure perfect unisons. In fact, you can hardly find a perfect unison in an organ of modern make, much less, a correct temperament. Finding a tone that is so far out as to be very disagreeable, adjust it between the octave below and the octave above, try it in the proper chords and equalize it in the best possible way; but it is not often you will be able to tune it to absolute precision with its octaves. It is thought by many that a slight deviation from correct unisons, sufficient to give a series of waves, gives the organ a more mellow voice and consequently a more musical (?) tone; and while we do not agree with any such proposition, it makes the tuner's work less exacting. We feel that an apology is in order for not giving illustrations of the action of the organ, but if the student will study this lesson in connection with the instrument itself, we believe he will have no trouble in learning all about its mechanical action and its demands upon the tuner. QUESTIONS ON LESSON XVI. 1. Name the musical advantages possessed by the organ which are absent in the piano. 2. Name the musical advantages possessed by the piano which are absent in the organ. 3. Describe the mechanical operations taking place in the organ when a key is being sounded. 4. State what you would do to flatten the tone of a reed and give reasons. 5. State what you would do to sharpen the tone of a reed and give reasons. LESSON XVII. ~CONCLUDING PROFESSIONAL HINTS.~ Peculiar incidents occur in the experience of the piano tuner, some of which have
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