N, 137.

Monotony, Evils of, 10-12;
How to conquer, 12-14; 44.

MORLEY, JOHN, 403-410.

MOSES, 115.

Motor images, 324, 348.

MOTTE, ANTOINE, 10.

MOZLEY, JAMES, 235.

N

NAPOLEON, 13, 104, 141, 184, 321.

Narration, 249-260.

Naturalness, 14, 29, 58, 70.

Notes, see Briefs.

O

Observation, 167-168; 186-188; 206-207; 223, 227, 350.

Occasional speaking, 362-370.

Olfactory images, 325, 348.

Outline of speech, 212-214.

P

Pace, Change of, 30-49.

PAINE, THOMAS, 122.

PARKER, ALTON B., 423.

PARKER, THEODORE, 257-258.

PATCH, DAN, 2.

PAUL, 2, 107.

Pause, 55-64.

Personality, 355-360.

Persuasion, 295-307.

PHILLIPS, ARTHUR EDWARD, 227, 229.

PHILLIPS, CHARLES, 302-305.

PHILLIPS, WENDELL, 25-26; 34-35; 38, 72, 97, 99-100.

Pitch, change of, 27-35;
low, 32, 69.

PITTENGER, WILLIAM, I, 66.

Platitudes, 376, 377.

POPE, ALEXANDER, 122, 175, 231.

Posture, 165.

Practise, Necessity for, 2, 14, 118.

Precision of utterance, 146-152.

Preparation, 4-5; 179, 184-215; 362-365.

PREYER, WILHELM T., 188.

Proportion, 205.

PUTNAM, DANIEL, 80.

Q

QUINTILIAN, 344.

R

Reading, 191-197.

REDWAY, 170.

Reference to Experience, 226.

Repetition in memorizing, 348.

Reserve power, 184-197.

Right thinking, 355-360.

ROBESPIERRE, 153-155.

ROGERS, SAMUEL, 343.

ROOSEVELT, THEODORE, 275, 416-422.

RUSKIN, JOHN, 89, 90, 188.

S

SAINTSBURY, GEORGE, 55.

SAVONAROLA, 158, 161.

SCALIGER, 343.

SCHAEFER, NATHAN C., 262, 355.

SCHEPPEGRELL, WILLIAM, 27.

SCHILLER, J.C.F., 117.

SCOTT, WALTER DILL, 8.

SCOTT, SIR WALTER, 271.

Self-confidence, See Confidence.

Self-consciousness, 1-8.

SEWARD, W.H., 65-68.

SHAKESPEARE, WILLIAM, 22, 32, 82, 88-89; 122, 152-153; 161, 164, 227,
295, 302, 312-317; 321.

SHEPPARD, NATHAN, 147, 156, 170.

SIDDONS, MRS., 48, 70.

SIDNEY, SIR PHILIP, 188.

Sincerity, 109.

SMITH, F. HOPKINSON, 365.

SPENCER, HERBERT, 58, 69.

Stage fright, 1-8.

STEVENSON, R.L., 122, 196, 201, 238, 242-243; 335-336.

STORY, JOSEPH, 298.

Subject, Choosing a, 201-204.

Subjects for speeches and debates, 121-123; 379-393.

Suggestion, 262-278; 308-320.

SUNDAY, "BILLY," 90, 158.

Suspense, 59-61.

Syllogism, 286.

T

Tactile images, 325, 348.

TALMAGE, T. DEWITT, 237.

Tempo, 39-49.

TENNYSON, ALFRED, 121, 141-143.

THACKERAY, W.M., 343.

THOREAU, H.D., 188.

Thought, 18