the question has not been neglected. And
it is hoped that the logical method for the study of drawing from the
two opposite points of view of line and mass here advocated may be
useful, and help students to avoid some of the confusion that results
from attempting simultaneously the study of these different qualities of
form expression.

* * * * *

CONTENTS

I. INTRODUCTION
II. DRAWING
III. VISION
IV. LINE DRAWING
V. MASS DRAWING
VI. THE ACADEMIC AND CONVENTIONAL
VII. THE STUDY OF DRAWING
VIII. LINE DRAWING: PRACTICAL
IX. MASS DRAWING: PRACTICAL
X. RHYTHM
XI. RHYTHM: VARIETY OF LINE
XII. RHYTHM: UNITY OF LINE
XIII. RHYTHM: VARIETY OF MASS
XIV. RHYTHM: UNITY OF MASS
XV. RHYTHM: BALANCE
XVI. RHYTHM: PROPORTION
XVII. PORTRAIT DRAWING
XVIII. THE VISUAL MEMORY
XIX. PROCEDURE
XX. MATERIALS
XXI. CONCLUSION

APPENDIX

INDEX

LIST OF PLATES

I. SET OF FOUR PHOTOGRAPHS OF THE SAME STUDY FROM THE LIFE IN
DIFFERENT STAGES
II. DRAWING BY LEONARDO DA VINCI
III. STUDY FOR "APRIL"
IV. STUDY FOR THE FIGURE OF "BOREAS"
V. FROM A STUDY BY BOTTICELLI
VI. STUDY BY ALFRED STEPHENS
VII. STUDY FOR THE FIGURE OF APOLLO
VIII. STUDY FOR A PICTURE
IX. STUDY BY WATTEAU
X. EXAMPLE OF XVTH CENTURY CHINESE WORK
XI. LOS MENENAS. BY VELAZQUEZ
XII. STUDY ATTRIBUTED TO MICHAEL ANGELO
XIII. STUDY BY DEGAS
XIV. DRAWING BY ERNEST COLE
XV. FROM A PENCIL DRAWING BY INGRES
XVI. STUDY BY RUBENS
XVII. A DEMONSTRATION DRAWING AT THE GOLDSMITHS' COLLEGE
XVIII. STUDY ILLUSTRATING METHOD OF DRAWING
XIX. ILLUSTRATING CURVED LINES
XX. STUDY FOR THE FIGURE OF "Love"
XXI. STUDY ILLUSTRATING TREATMENT OF HAIR
XXII. STUDY FOR DECORATION AT AMIENS
XXIII. DIFFERENT STAGES OF THE PAINTING FROM A CAST (1)
XXIII. DIFFERENT STAGES OF THE PAINTING FROM A CAST (2)
XXIV. DIFFERENT STAGES OF THE PAINTING FROM A CAST (3)
XXIV. DIFFERENT STAGES OF THE PAINTING FROM A CAST (4)
XXV. ILLUSTRATING SOME TYPICAL BRUSH STROKES
XXVI. DIFFERENT STAGES OF THE SAME STUDY (1)
XXVII. DIFFERENT STAGES OF THE SAME STUDY (2)
XXVIII. DIFFERENT STAGES OF THE SAME STUDY (3)
XXIX. DIFFERENT STAGES OF THE SAME STUDY (4)
XXX. A STUDY FOR A PICTURE OF "ROSALIND AND O