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, intermixed with the earth, probably brought to the spot to be used in the process. Amongst the Indians along the Gulf, a greater degree of skill was displayed than with those on the upper waters of the Mississippi, and on the lakes. Their vessels were generally larger and more symmetrical, and of a superior finish. They moulded them over gourds and models, and baked them in ovens. In the construction of those of large size, it was customary to model them in baskets of willow or splints, which, at the proper period, were burned off, leaving the vessel perfect in form, and retaining the somewhat ornamental markings of their moulds. Some of those found on the Ohio seem to have been modelled in bags or nettings of coarse thread or twisted bark. These practices are still retained by some of the remote western tribes. * * * * * =_Benjamin Silliman, 1779-1864._= (Manual, p. 505.) From "A Tour to Canada." =_268._= THE FALLS OF MONTMORENCI. ... The Montmorenci, after a gentle previous declivity, which, greatly increases its velocity, takes its stupendous leap of two hundred and forty feet, into a chasm among the rocks, where it boils and foams in a natural rocky basin, from which, after its force is in some measure exhausted in its own whirlpools and eddies, it flows away in a gentle stream towards the St. Lawrence. The fall is nearly perpendicular, and appears not to deviate more than three or four degrees from it. This deviation is caused by the ledges of rock below, and is just sufficient to break the water completely into foam and spray. The effect on the beholder is most delightful. The river, at some distance, seems suspended in a sheet of billowy foam, and contrasted as it is, with the black frowning abyss into which it falls, it is an object of the highest interest. As we approached nearer to its foot, the impressions of grandeur and sublimity were, in the most perfect manner imaginable, blended with those of extreme beauty. This river is of so considerable a magnitude, that, precipitated as it is from this amazing height, the thundering noise, and mighty rush of waters, and the never-ceasing wind and rain produced by the fall, powerfully arrest the attention: the spectator stands in profound awe, mingled with delight, especially when he contrasts the magnitude of the fall, with that of a villa, on the edge of the dark precipices of frowning rock which form the western ba
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