his
troops.

Just after the return of the Court from Fontainebleau, a strange scene
happened at St. Maur, in a pretty house there which M. le Duc possessed.
He was at this house one night with five or six intimate friends, whom he
had invited to pass the night there. One of these friends was the Comte
de Fiesque. At table, and before the wine had begun to circulate, a
dispute upon some historical point arose between him and M. le Duc. The
Comte de Fiesque, who had some intellect and learning, strongly sustained
his opinion. M. le Duc sustained his; and for want of better reasons,
threw a plate at the head of Fiesque, drove him from the table and out of
the house. So sudden and strange a scene frightened the guests. The
Comte de Fiesque, who had gone to M. le Duc's house with the intention of
passing the night there, had not retained a carriage, went to ask shelter
of the cure, and got back to Paris the next day as early in the morning
as he could. It may be imagined that the rest of the supper and of the
evening was terribly dull. M. le Duc remained fuming (perhaps against
himself, but without saying so), and could not be induced to apologise
for the affront. It made a great stir in society, and things remained
thus several months. After a while, friends mixed themselves in the
matter; M. le Duc, completely himself again, made all the advances
towards a reconciliation. The Comte de Fiesque received them, and the
reconciliation took place. The most surprising thing is, that after this
they continued on as good terms as though nothing had passed between
them.

The year 1702 commenced with balls at Versailles, many of which were
masquerades. Madame du Maine gave several in her chamber, always keeping
her bed because she was in the family-way; which made rather a singular
spectacle. There were several balls at Marly, but the majority were not
masquerades. The King often witnessed, but in strict privacy, and always
in the apartments of Madame de Maintenon, sacred dramas such as
"Absalon," "Athalie," &c. Madame la Duchesse de Bourgogne, M. le Duc
d'Orleans, the Comte and Comtesse d'Anjou, the young Comte de Noailles,
Mademoiselle de Melun, urged by the Noailles, played the principal
characters in very magnificent stage dresses. Baron, the excellent old
actor, instructed them and played with them. M. de Noailles and his
clever wife were the inventors and promoters of these interior pleasures,
for the purpos