od and
talked, and she took his praises modestly for the cat; but they wrought
upon the envy, of her brother so that he ran off to the garden, and came
back with two fat, sleepy-eyed puppies which he held up, with an arm
across each of their stomachs, for the acclaim of the spectators.

"Oh, give him something!" Mrs. March entreated. "He's such a dear."

"No, no! I am not going to have my little hunchback and her cat outdone,"
he refused; and then he was about to yield.

"Hold on!" said Stoller, assuming the host. "I got the change."

He gave the boy a few kreutzers, when Mrs. March had meant her husband to
reward his naivete with half a florin at least; but he seemed to feel
that he had now ingratiated himself with the ladies, and he put himself
in charge of them for the walk to the cemetery chapel; he made Miss
Triscoe let him carry her jacket when she found it warm.

The chapel is dedicated to the Holy Trinity, and the Jesuit brother who
designed it, two or three centuries ago, indulged a devotional fancy in
the triangular form of the structure and the decorative details.
Everything is three-cornered; the whole chapel, to begin with, and then
the ark of the high altar in the middle of it, and each of the three
side-altars. The clumsy baroque taste of the architecture is a German
version of the impulse that was making Italy fantastic at the time; the
carving is coarse, and the color harsh and unsoftened by years, though it
is broken and obliterated in places.

The sacristan said that the chapel was never used for anything but
funeral services, and he led the way out into the cemetery, where he
wished to display the sepultural devices. The graves here were planted
with flowers, and some were in a mourning of black pansies; but a space
fenced apart from the rest held a few neglected mounds, overgrown with
weeds and brambles: This space, he said, was for suicides; but to March
it was not so ghastly as the dapper grief of certain tombs in consecrated
ground where the stones had photographs of the dead on porcelain let into
them. One was the picture of a beautiful young woman, who had been the
wife of the local magnate; an eternal love was vowed to her in the
inscription, but now, the sacristan said, with nothing of irony, the
magnate was married again, and lived in that prettiest house of the
village. He seemed proud of the monument, as the thing worthiest the
attention of the strangers, and he led them with less app