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when he wants to throw his rope. Then it is that his judgment comes into play and determines whether his cast is a lost one or not. I have seen vaqueros swing a lasso swiftly almost in the midst of a thicket, and keep it clear without losing speed, and then let it drive straight as an arrow between two close trees and rope an object that could not pass where the noose had gone. Such skill, to be sure, comes only after long practice. "Well, now we have got the noose circling about the vaquero's head, and the next thing is to let it fly. There is not much to describe about this part of throwing a riata, important though it may be. It is only incessant practice that will enable a man to make a certain cast. The main thing is to swing the rope just long enough--neither so long as to give it a side-wise motion when you throw it, nor short enough to prevent its getting all the force you require. Then the riata man must throw at a particular limb or projection. This thing of tossing blindly at an object and trusting to luck that the animal will get into the rope somehow will not do. You must pick out your mark as carefully as if you were shooting at it, and then time it. A steer jumping along changes his position constantly as regards you. If you throw at his head high up the chances are that it will be away down when your rope reaches him, and you will overthrow. Now, if you pick out a foot you must reckon so that that foot will be off the ground when your rope reaches him. The noose does not travel like a bullet, and this element of time is most important. "Of even more importance is it that the distances are gauged correctly. You remember I spoke about holding the coils lightly in two or three fingers. Well, that is done in order that as many coils as may be considered necessary may be let go. If you are wielding a riata you know that each of your coils is almost two feet or two and one half feet long. So if you want to lasso something twenty feet away you let go ten coils. "As to letting go, you simply open your hand at the correct time and the rope slips off. "But even after you have roped your steer your work is not over. Almost any animal can pull you from your horse, and to prevent this you must get your rope around the horn of your saddle. There is where you have to be quick. There are two ways of making this hitch that are used ordinarily. The one I prefer is simply to take two turns aroun
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