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d halfpenny meal, taken in the middle of the day, the poor man's hour; and I shall eat and drink to your prosperity.--Ever yours, R. L. S. TO PROFESSOR MEIKLEJOHN One day at the Savile Club, Stevenson, hearing a certain laugh, cried out that he must know the laugher, who turned out to be a fellow-countryman, the late John Meiklejohn, the well-known educational authority and professor at St. Andrews University. Stevenson introduced himself, and the two became firm friends. Allusion was made a few pages back to a letter from Professor Meiklejohn about the _Burns_ essay. _608 Bush Street, San Francisco, California, Feb. 1st, 1880._ MY DEAR MEIKLEJOHN,--You must think me a thankless fellow by this time; but if you knew how harassed and how sick I had been, and how I have twice begun to write to you already, you might condescend to forgive the puir gangrel body. To tell you what I have been doing, thinking, and coming through these six or seven months would exhilarate nobody: least of all me. _Infandum jubes_, so I hope you won't. I have done a great deal of work, but perhaps my health of mind and body should not let me expect much from what I have done. At least I have turned the corner; my feet are on the rock again, I believe, and I shall continue to pour forth pure and wholesome literature for the masses as per invoice. I am glad you liked _Burns_; I think it is the best thing I ever did. Did not the national vanity exclaim? Do you know what Shairp thought? I think I let him down gently, did I not? I have done a _Thoreau_, which I hope you may like, though I have a feeling that perhaps it might be better. Please look out for a little paper called _Yoshida Torajiro_, which, I hope, will appear in Cornhill ere very long; the subject, at least, will interest you. I am to appear in the same magazine with a real "blood and bones in the name of God" story. Why Stephen took it, is to me a mystery; anyhow, it was fun to write, and if you can interest a person for an hour and a half, you have not been idle. When I suffer in mind, stories are my refuge; I take them like opium; and I consider one who writes them as a sort of doctor of the mind. And frankly, Meiklejohn, it is not Shakespeare we take to, when we are in a hot corner; nor, certainly, George Eliot--no, nor even Balzac. It is Charles Reade, or old Dumas, or the Arabian Nights, or the best of Walter Scott; it is storie
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