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tful if human literary art may attain completeness more than once. But as our authors labor to embody truths of human life in arranged imagined facts, they should constantly be guided and inspired by the allurement of the ultimate ideal. The noblest work is evermore accomplished by followers of the gleam. Let us, in parting company, paraphrase the sense of a remark made centuries ago by Sir Philip Sidney,--that model of a scholar and a gentleman:--It is well to shoot our arrows at the moon; for though they may miss their mark, they will yet fly higher than if we had flung them into a bush. [9] First published in the _Contemporary Review_ for April, 1885; and now included in Volume XXII of the "Thistle Edition": Charles Scribner's Sons. [10] "Mrs. Knollys" is now easily accessible in "The Short Story: Specimens Illustrating Its Development." Edited by Brander Matthews. American Book Company, 1908. REVIEW QUESTIONS 1. What is meant by style in literature? 2. Make three patterns of words,--the first notable for sheer selection, the second notable for rhythm, and the third notable for literation. 3. Write a theme, containing approximately three hundred words, that shall be judged for its quality of style. SUGGESTED READING ROBERT LOUIS STEVENSON: "On Some Technical Elements of Style in Literature." WALTER PATER: "Essay on Style," in "Appreciations." HERBERT SPENCER: "Philosophy of Style." INDEX _Actions and Reactions_, 112, 137. _Adam Bede_, 20, 33, 116. Addison, Joseph, xv; _Sir Roger de Coverley_, xv. _AEneid, The_, 160, 161, 162. Alcott, Louisa M., 78; _Little Women_, 78. Aldrich, Thomas Bailey, 137; _Marjorie Daw_, 137. _Alice in Wonderland_, 18. _Ambitious Guest, The_, 174. _American Short Stories_, 174. Amiel, Henri-Frederic, 9. Andersen, Hans Christian, 11. _Angel in the House, The_, 158. _An Habitation Enforced_, 112. _Anna Karenina_, xxi. _Arcadia_, 102. Archer, William, 8. Ariosto, Ludovico, 102; _Orlando Furioso_, 102. Aristotle, 69, 70. Arnold, Matthew, 184. _Assignation, The_, 38. _As You Like It_, 12. _At the End of the Passage_, 110. Aubignac, Abbe d', xviii, xx; _Pratique du Theatre_, xviii. _Aurora Leigh_, 158. Austen, Jane, 7, 21, 29, 90, 130, 131, 221, 222; _Emma_, 90, 130, 146; _Pride and Prejudice_, 131, 146. Bacon, Francis, 34. Baldwin,
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