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various Roman emperors, and for a long time supplied singers and actors to the Roman world. "Valerius Maximus has given an anecdote which shows how powerful and exacting the guild of flute-players could afford to be. "They were one day excluded from the Temple of Jupiter, where they had been allowed, by ancient custom, to take their meals; upon which the entire guild left Rome, and went to the village of Tibur near by. This caused great embarrassment: no religious services could be held, and scarce any state ceremony properly conducted. The senate thereupon sent an embassy to induce them to return,--in vain: the angry musicians were inflexible. The wily ambassadors then called the inhabitants of Tibur to their aid, and these pretended to give a great feast to welcome the flute-players. At this feast the musicians were all made very drunk; and, while asleep from the effects of their liquor, they were bundled into chariots, and driven back to Rome, where all their old privileges were restored, and newer and greater ones added. "They received the right to give public representations and spectacles in Rome; but at these they were all masked, the reason being their shame at the manner of their inglorious return to the city. "Flutes were used at funerals; and it appears, at one time, the luxury and pomp of Roman obsequies grew so excessive, that a law was passed limiting the number of flute-players on such occasions to ten. "Only at one time did the flute disappear from any public worship, and that was when the worship of Bacchus was introduced into Rome. To this rite the kithara was used; but this worship, which was somewhat refined, though jovial, among the Greeks, became among the Romans so debauched and uxorious, that it was soon prohibited by law. "The flute was used in combination with other instruments at times. Apuleius speaks of a concert of flutes, kitharas, and chorus, and mentions its deliciously sweet effect. It was also used as a pitch-pipe, to give orators a guide in modulating their voices when addressing an assembly: thus Caius Gracchus always on such occasions had a slave behind him, whose duty it was to aid him to commence his orations in a proper pitch, and when his voice sank too lo
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