orrected, however, by the
glittering of two small, yellow eyes which shifted in their orbits like
two _louis d'or_ floating on quicksilver. The curve of his nose gave him
an aquiline silhouette, which suggested the Oriental or Jewish type. His
hands, long, slender, with prominent veins and sinews protruding like
the strings on a violin, with nails like the claws on the membraneous
wings of the bat moved with a senile trembling painful to behold, but
those nervously quivering hands became firmer than pincers of steel, or
the claws of a lobster, when they picked up any precious object, an onyx
cup, a Venetian glass, or a platter of Bohemian crystal. This curious
old fellow had an air so thoroughly rabbinical and cabalistic, that,
from mere appearance, he would have been burned at the stake three
centuries ago.
"Will you not buy something from me to-day, sir? Here is a kris from
Malay, with a blade which undulates like a flame; look at these grooves
for the blood to drip from, these teeth reversed so as to tear out the
entrails in withdrawing the weapon; it is a fine specimen of a ferocious
weapon, and will be an interesting addition to your trophies; this
two-handed sword is very beautiful--it is the work of Joseph de la Herz;
and this _cauchelimarde_ with its carved guard--what superb
workmanship!"
"No, I have enough weapons and instruments of carnage; I should like to
have a small figure, any sort of object which can be used for a paper
weight; for I cannot endure those commonplace bronzes for sale at the
stationers which one sees invariably on everybody's desk."
The old gnome, rummaging among his ancient wares, displayed before me
some antique bronzes--pseudo-antique, at least, fragments of malachite,
little Hindu and Chinese idols, jade monkeys, incarnations of Brahma and
Vishnu, marvelously suitable for the purpose--scarcely divine--of
holding papers and letters in place.
I was hesitating between a porcelain dragon covered with constellations
of warts, its jaws embellished with teeth and tusks, and a hideous
little Mexican fetish, representing realistically the god
Vitziliputzili, when I noticed a charming foot, which at first I
supposed was a fragment of some antique Venus.
It had that beautiful tawny reddish tint, which gives the Florentine
bronzes their warm, life-like appearance, so preferable to the verdigris
tones of ordinary bronzes, which might be taken readily for statues in a
state of putrefactio
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