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imal. Day by day she mourns for her father Agamemnon, who has been murdered by her mother's lover Aegisthos. The maids find fault with Elektra's strange behaviour and haughtiness. They believe her to be dangerous and suggest, that her mother should lock her up safely. One maid reproves them however. She respects in Elektra the dead King's cherished daughter, who, though in rags and brought so low by her unnatural mother, that she is compelled to eat with the servants, yet bears herself more queenly than Clytemnestra herself. The others beat their companion for her allegiance to Elektra, who appears again, moaning for Agamemnon. His poor murdered body seems to arise fresh before her every day. Her one aim in life is vengeance on his murderers, and her only hope is her brother Orestes, who has disappeared. {530} She is joined by her sister Chrysothemis, who implores her to abandon her vindictive thoughts, the cause of their common captivity. She further reveals to her, that their mother means to imprison her, but Elektra laughs at her terror.--Chrysothemis longs for freedom, the love of a husband and children, and is utterly alien to her sister's dark thoughts. Hearing her mother's step she entreats Elektra to go away, Clytemnestra having had evil dreams about her son's coming home and killing her. Elektra, regardless of her prayers meets her mother with a cruel stare. The latter is in her darkest mood, which grows worse at her hated daughter's appearance. But Elektra, accosting her as a goddess for once quiets her suspicions. Clytemnestra dismisses her servants, who tries to warn her against her daughter. When they are alone, the Queen complains bitterly of the frightful dreams that haunt her, and wants to know, what she can do to banish them. Elektra answers enigmatically, that a woman must be sacrificed, and that a man, but not Aegisthos the coward, must do it. Clytemnestra, vainly guessing at his name, is reminded of her son Orestes, whom the mother has made to disappear, while he was a child. Her troubled looks convince Elektra that Orestes is living, and casting off her disguised mood, she sternly tells her mother, that she herself is to be the sacrifice.--In a long wild monologue she reproaches her for all her treachery, ending by {531} depicting the awful fate that awaits her, and rejoicing over it. Clytemnestra's terror is appeased by the appearance of her attendants, one of whom whisper
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