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is his companion and friend. Only a great man ever has such a daughter. Madame De Stael, who delighted in being called "the daughter of Necker," was such a woman, and the splendor of her mind was no less her father's glory than was the fact that he was the greatest financier of his time. Clara Van den Ende was her father's helper and companion, and when he was busied in other tasks she took charge of his classes. Auerbach has written a charming story with Clara Van den Ende and Spinoza as a central theme. In the tale is pictured with skilful psychology the awakening of the sleeping soul of Spinoza as he was introduced from a cheerless home, devoid of art and freedom, into the beauties of undraped Greece and the fine atmosphere of a forum where nothing human was considered alien. From a love for Vergil, Cicero and Horace, to a love for each other, was a very natural sequence. A growing indifference for the censure of Judaism was quite a natural result. Auerbach would have us believe that no man alone ever stood out against the revilings of kinsmen and the stupidity of sectarians: we move in the line of least resistance and only a very great passion makes it possible for a man calmly to face the contumely of an angry world. Zangwill, in his vivid sketch, "The Maker of Lenses," makes this single love-episode in the life of Spinoza the controlling impulse of his life, probably reasoning on the premise that men who mark epochs are ever and always, without exception, those with the love nature strongly implanted in their hearts. So thoroughly does Zangwill believe in the one passion of Spinoza's life, that a score of years after the chief incident of it had transpired, he pictures the philosopher trembling at mention of the woman's name, coughing to conceal his agitation and clutching the doorpost for support. And this a man who smilingly faced a mob that howled for his life, and was only moved to philosophize on the nature of human intellect when a flying stone grazed his cheek! But the lady had ambitions--the lens-maker was penniless, and probably always would be--his passion was passive--he lacked the show and dash that made other women jealous. And so Oldenburg, a rival with love and jewels, won the heart that could not be won by love alone. That the lady soon knew she had erred did not help her case--Spinoza loved his ideal, and he had thought it was the woman. * * * * * Foll
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