eived very elaborate canopies of the Decorated period, under which it
is probable that there were at one time altars. Some Early English work
may be seen in the heads carved on some of the larger shafts and the
caps of the subsidiary pillars, a noticeable figure being "a monk
crouched in a caryatidal attitude and holding a chess-board."
The modern entry to the crypts is in the south-east interior wall of
this transept, the old means of entrance, through the "Holy Hole,"
having been blocked up.
The large tomb in the north transept is that of Prebendary Iremonger. On
the western wall, at the end of the transept, are very faint traces of
mural paintings, representing S. Christopher carrying Christ, etc., and
it is probable the transepts were once thus decorated throughout.
The #South Transept# has received far more additions to its interior
decorations than has the north. In the back of the choir-wall is
recessed Sir Isaac Townsend's memorial, not a very noteworthy object.
Just under it there now stands the old oak settle which was once used by
the Norman monks. In the central space of the transept itself is a large
monument to Bishop Wilberforce, showing beneath a canopy a life-sized
figure, with mitre, cope, and staff, on a slab borne by six kneeling
angels. A Latin inscription records his birth on 1st September 1805, and
his death on 19th July 1873. The monument is the work of Sir Gilbert
Scott, and has met with some severe attacks. It certainly is out of
place in its Norman surroundings. The aisles of the south transept are
divided up into six chambers, of which the larger of the two westernmost
is used as a chapter-room, and does not betray its age by its present
appearance; the one next the body of the church, Milner's "ancient
sacristy," but now known as Henry of Blois' treasury, serves as a boys'
vestry. The Norman work over the door must not be overlooked. The
chamber to the extreme south is the entrance lobby to the south door,
which leads into the "slype" or passage running between the church and
the old chapter-house. Leading out of it is the ancient "calefactory,"
where the fire for the censers and thuribles was preserved. Panelled oak
screens enclose this room on both sides. Next it comes Silkstede's
chapel, the central of the three easterly divisions of the transept
aisles. The prior's rebus, in the form of a skein of silk, is evident
among the carvings, and his Christian name Thomas may be seen on the
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