la Comedie. It is very possible. I did not go
across to find out. It was my perfect idleness that had invested the
girl with a peculiar charm, and I did not want to destroy it by any
superfluous exertion. The receptivity of my indolence made the
impression so permanent that when the moment came for her meeting with
Heyst I felt that she would be heroically equal to every demand of the
risky and uncertain future. I was so convinced of it that I let her go
with Heyst, I won't say without a pang but certainly without misgivings.
And in view of her triumphant end what more could I have done for her
rehabilitation and her happiness?

J. C.

1920.

THE SHADOW-LINE

This story, which I admit to be in its brevity a fairly complex piece of
work, was not intended to touch on the supernatural. Yet more than one
critic has been inclined to take it in that way, seeing in it an attempt
on my part to give the fullest scope to my imagination by taking it
beyond the confines of the world of the living, suffering humanity. But
as a matter of fact my imagination is not made of stuff so elastic as
all that. I believe that if I attempted to put the strain of the
Supernatural on it it would fail deplorably and exhibit an unlovely gap.
But I could never have attempted such a thing, because all my moral and
intellectual being is penetrated by an invincible conviction that
whatever falls under the dominion of our senses must be in nature and,
however exceptional, cannot differ in its essence from all the other
effects of the visible and tangible world of which we are a
self-conscious part. The world of the living contains enough marvels and
mysteries as it is; marvels and mysteries acting upon our emotions and
intelligence in ways so inexplicable that it would almost justify the
conception of life as an enchanted state. No, I am too firm in my
consciousness of the marvellous to be ever fascinated by the mere
supernatural, which (take it any way you like) is but a manufactured
article, the fabrication of minds insensitive to the intimate delicacies
of our relation to the dead and to the living, in their countless
multitudes; a desecration of our tenderest memories; an outrage on our
dignity.

Whatever my native modesty may be it will never condescend so low as to
seek help for my imagination within those vain imaginings common to all
ages and that in themselves are enough to fill all lovers of mankind
with unutterable sadness