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ho can be at last no competent judge of eloquence in any language but my own. There is a national rhetoric in every country, dependant on national manners; and those gesticulations of body, or depressions of voice, which produce pity and commiseration in one place, may, without censure of the orator or of his hearers, excite contempt and oscitancy in another. The sentiments of the preacher I heard were just and vigorous; and if that suffices not to content a foreign ear, woe be to me, who now live among those to whom I am myself a foreigner; and who at best can but be expected to forgive, for the sake of the things said, that accent and manner with which I am obliged to express them. By the indulgence of private friendship, I have now enjoyed the uncommon amusement of seeing a theatrical exhibition performed by friars in a convent for their own diversion, and that of some select friends. The monks of St. Victor had, it seems, obtained permission, this carnival, to represent a little odd sort of play, written by one of their community chiefly in the Milanese dialect, though the upper characters spoke Tuscan. The subject of this drama was taken, naturally enough, from some events, real or fictitious, which were supposed to have happened in, the environs of Milan, about a hundred years ago, when the Torriani and Visconti families disputed for superiority. Its construction was compounded of comic and distressful scenes, of which the last gave me most delight; and much was I amazed, indeed, to feel my cheeks wet with tears at a friar's play, founded on ideas of parental tenderness. The comic part, however, was intolerably gross; the jokes coarse, and incapable of diverting any but babies, or men who, by a kind of intellectual privation, contrive to perpetuate babyhood, in the vain hope of preferring innocence: nor could I shelter myself by saying how little I understood of the dialect it was written in, as the action was nothing less than equivocal; and in the burletta which was tacked to it by way of farce, I saw the soprano fingers who played the women's parts, and who see more of the world than these friars, blush for shame, two or three times, while the company, most of them grave ecclesiastics, applauded with rapturous delight. The wearisome length of the whole would, however, have surfeited me, had the amusement been more eligible; but these dear monks do not get a holiday often, I trust; so in the manner of schoo
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