*
The children romp within the graveyard's pale;
The lark sings o'er a madhouse, or a gaol;--
Such nice antitheses of perfect poise
Chance in her curious rhetoric employs.
* * * * *
Our lithe thoughts gambol close to God's abyss,
Children whose home is by the precipice.
Fear not thy little ones shall o'er it fall:
Solid, though viewless, is the girdling wall.
* * * * *
Lives there whom pain hath evermore pass'd by
And Sorrow shunn'd with an averted eye?
Him do thou pity, him above the rest,
Him of all hapless mortals most unbless'd.
* * * * *
Say what thou wilt, the young are happy never.
Give me bless'd Age, beyond the fire and fever,--
Past the delight that shatters, hope that stings,
And eager flutt'ring of life's ignorant wings.
* * * * *
Onward the chariot of the Untarrying moves;
Nor day divulges him nor night conceals;
Thou hear'st the echo of unreturning hooves
And thunder of irrevocable wheels.
* * * * *
A deft musician does the breeze become
Whenever an AEolian harp it finds:
Hornpipe and hurdygurdy both are dumb
Unto the most musicianly of winds.
* * * * *
I follow Beauty; of her train am I:
Beauty whose voice is earth and sea and air;
Who serveth, and her hands for all things ply;
Who reigneth, and her throne is everywhere.
* * * * *
Toiling and yearning, 'tis man's doom to see
No perfect creature fashion'd of his hands.
Insulted by a flower's immaculacy,
And mock'd at by the flawless stars he stands.
* * * * *
For metaphors of man we search the skies,
And find our allegory in all the air.
We gaze on Nature with Narcissus-eyes,
Enamour'd of our shadow everywhere.
* * * * *
One music maketh its occult abode
In all things scatter'd from great Beauty's hand;
And evermore the deepest words of God
Are yet the easiest to understand.
* * * * *
Enough of mournful melodies, my lute!
Be henceforth joyous, or be henceforth mute.
Song's breath is wasted when it does but fan
The smouldering infelicity of man.
* * * * *
I pluck'd this flower, O brighter flower, for thee,
There where the river dies in
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