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ure was enhanced: Greece added posture, shade, and perspective; And then the mimic piece began to live. Yet perspective was lame, no distance true, But all came forward in one common view: 40 No point of light was known, no bounds of art; When light was there, it knew not to depart, But glaring on remoter objects play'd; Not languish'd, and insensibly decay'd. Rome raised not art, but barely kept alive, And with old Greece unequally did strive: Till Goths, and Vandals, a rude northern race, Did all the matchless monuments deface. Then all the Muses in one ruin be, And rhyme began to enervate poetry. 50 Thus, in a stupid military state, The pen and pencil find an equal fate. Flat faces, such as would disgrace a screen, Such as in Bantam's embassy were seen, Unraised, unrounded, were the rude delight Of brutal nations only born to fight. Long time, the sister arts, in iron sleep, A heavy sabbath did supinely keep: At length, in Raphael's age, at once they rise, Stretch all their limbs, and open all their eyes. 60 Thence rose the Roman, and the Lombard line: One colour'd best, and one did best design. Raphael's, like Homer's, was the nobler part, But Titian's painting look'd like Virgil's art. Thy genius gives thee both; where true design, Postures unforced, and lively colours join. Likeness is ever there; but still the best, Like proper thoughts in lofty language dress'd: Where light, to shades descending, plays, not strives, Dies by degrees, and by degrees revives. 70 Of various parts a perfect whole is wrought: Thy pictures think, and we divine their thought. Shakspeare, thy gift, I place before my sight; With awe, I ask his blessing ere I write; With reverence look on his majestic face; Proud to be less, but of his godlike race. His soul inspires me, while thy praise I write, And I, like Teucer, under Ajax fight: Bids thee, through me, be bold; with dauntless breast Contemn the bad, and emulate the best. 80 Like his, thy critics in the attempt are lost: When most they rail, know then, they envy most. In vain they snarl aloof; a noisy crowd, Like women's anger, impotent and loud. While they their barren industry deplore, Pass on secure, and mind the goal befo
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