ced
or tampered with. They were precious to her for their affecting
remembrancings. They were her principia, her rudiments; the elementary
atoms; the little steps by which she pressed forward to perfection.
"What," she would say, "could Indian rubber, or a pumice stone, have
done for these darlings?"

I am in no hurry to begin my story--indeed I have little or none to
tell--so I will just mention an observation of hers connected with
that interesting time.

Not long before she died I had been discoursing with her on the
quantity of real present emotion which a great tragic performer
experiences during acting. I ventured to think, that though in the
first instance such players must have possessed the feelings which
they so powerfully called up in others, yet by frequent repetition
those feelings must become deadened in great measure, and the
performer trust to the memory of past emotion, rather than express a
present one. She indignantly repelled the notion, that with a truly
great tragedian the operation, by which such effects were produced
upon an audience, could ever degrade itself into what was purely
mechanical. With much delicacy, avoiding to instance in her
_self_-experience, she told me, that so long ago as when she used to
play the part of the Little Son to Mrs. Porter's Isabella, (I think it
was) when that impressive actress has been bending over her in some
heart-rending colloquy, she has felt real hot tears come trickling
from her, which (to use her powerful expression) have perfectly
scalded her back.

I am not quite so sure that it was Mrs. Porter; but it was some great
actress of that day. The name is indifferent; but the fact of the
scalding tears I most distinctly remember.

I was always fond of the society of players, and am not sure that an
impediment in my speech (which certainly kept me out of the pulpit)
even more than certain personal disqualifications, which are often got
over in that profession, did not prevent me at one time of life from
adopting it. I have had the honour (I must ever call it) once to
have been admitted to the tea-table of Miss Kelly. I have played at
serious whist with Mr. Listen. I have chatted with ever good-humoured
Mrs. Charles Kemble. I have conversed as friend to friend with her
accomplished husband. I have been indulged with a classical conference
with Macready; and with a sight of the Player-picture gallery, at Mr.
Matthews's, when the kind owner, to remunerate me