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who lived about them in reverence, and their words had double weight in council when important subjects were discussed; and indeed the present head of each was often chosen to lead them on to the almost constantly recurring battles and bloody guerilla contests that transpired between the mountaineers and their enemies, the Russian Cossacks. The family of Gymroc was blessed with a fair daughter, an only child, who, though living among a people who were so universally endowed with loveliness in their gentler sex, was famed for her transcendent loveliness far and near, and the youths of the neighboring valleys and plains sighed in their hearts to think that the fairest flower in all Circassia was but blooming to shed its ripened fragrance and loveliness in the harem of some dark and bearded Mahometan, to be the toy of some rich and heartless Turk. One there was among the young mountaineers, Aphiz Adegah, whose whole life and soul seemed bound up in the lovely Komel, as she was called. Neither was more than eighteen; indeed Komel was not so old, for but sixteen full summers had passed over her head. They had grown up together from very childhood, played together, worked together, sharing each other's burthens, and mutually aiding each other; now quietly watching the sheep and goats upon the hillsides, and now working side by side in the fields, content and happy, so they were always together. Komel was almost too beautiful. With every grace and delicacy of outline that has, for centuries, rendered her sex so famed in her native land, she added also a sweet, natural intelligence, which, though all uncultivated, was yet ever beaming from her eyes, and speaking forth from her face. Her form possessed a most captivating voluptuous fullness, without once trespassing upon the true lines of female delicacy. Her large and lustrous eyes were brilliant yet plaintive, her lips red and full, and the features generally of a delicate Grecian cast. Her hair was of that dark, glossy hue, that defies comparison, and was heavy and luxuriant in its fullness. Some one has said that no one can write real poetry until he has known the sting of unhappiness; and sure it is that beauty ever lacks that moss-rose finish that tender melancholy throws about it, until it has known what sorrow is. Komel had been called to mourn, and melancholy had thrown about her a gentle glow of plaintiveness, as a grateful angel added another grace to the ro
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