ng himself highly injured by not being
suffered to interfere, was much exasperated, and took no pains to prevent
others from receiving the infection of his resentment.

"Of all the arts, music was the only one which Her Majesty ever warmly
patronised. For music she was an enthusiast. Had her talents in this
art been cultivated, it is certain from her judgment in it that she would
have made very considerable progress. She sang little French airs with
great taste and feeling. She improved much under the tuition of the
great composer, her master, the celebrated Sacchini. After his death,
Sapio was named his successor; but, between the death of one master and
the appointment of another, the revolutionary horrors so increased that
her mind was no longer in a state to listen to anything but the howlings
of the tempest.

"In her happier days of power, the great Gluck was brought at her request
from Germany to Paris. He cost nothing to the public Treasury, for Her
Majesty paid all his expenses out of her own purse, leaving him the
profits of his operas, which attracted immense sums to the theatre.

"Marie Antoinette paid for the musical education of the French singer,
Garat, and pensioned him for her private concerts.

"Her Majesty was the great patroness of the celebrated Viotti, who was
also attached to her private musical parties. Before Viotti began to
perform his concertos, Her Majesty, with the most amiable condescension,
would go round the music saloon, and say, 'Ladies and gentlemen, I
request you will be silent, and very attentive, and not enter into
conversation, while Mr. Viotti is playing, for it interrupts him in the
execution of his fine performance.

"Gluck composed his Armida in compliment to the personal charms of Marie
Antoinette. I never saw Her Majesty more interested about anything than
she was for its success. She became a perfect slave to it. She had the
gracious condescension to hear all the pieces through, at Gluck's
request, before they were submitted to the stage for rehearsal. Gluck
said he always improved his music after he saw the effect it had upon Her
Majesty.

"He was coming out of the Queen's apartment one day, after he had been
performing one of these pieces for Her Majesty's approbation, when I
followed and congratulated him on the increased success he had met with
from the whole band of the opera at every rehearsal. 'O my dear
Princess!' cried he, 'it wants nothing to make