selves, and quake:
But here the needle plies its busy task,
The pattern grows, the well-depicted flower,
Wrought patiently into the snowy lawn,
Unfolds its bosom; buds and leaves and sprigs
And curly tendrils, gracefully disposed,
Follow the nimble finger of the fair;
A wreath that cannot fade, of flowers that blow
With most success when all besides decay.
The poet's or historian's page, by one
Made vocal for the amusement of the rest;
The sprightly lyre, whose treasure of sweet sounds
The touch from many a trembling chord shakes out;
And the clear voice symphonious, yet distinct,
And in the charming strife triumphant still,
Beguile the night, and set a keener edge
On female industry; the threaded steel
Flies swiftly, and unfelt the task proceeds.
The volume closed, the customary rites
Of the last meal commence: a Roman meal,
Such as the mistress of the world once found
Delicious, when her patriots of high note,
Perhaps by moonlight, at their humble doors,
And under an old oak's domestic shade,
Enjoyed--spare feast!--a radish and an egg.
Discourse ensues, not trivial, yet not dull,
Nor such as with a frown forbids the play
Of fancy, or proscribes the sound of mirth;
Nor do we madly, like an impious world,
Who deem religion frenzy, and the God
That made them an intruder on their joys,
Start at His awful name, or deem His praise
A jarring note; themes of a graver tone
Exciting oft our gratitude and love,
While we retrace with memory's pointing wand
That calls the past to our exact review,
The dangers we have scaped, the broken snare,
The disappointed foe, deliverance found
Unlooked for, life preserved and peace restored,
Fruits of omnipotent eternal love:--
Oh evenings worthy of the gods! exclaimed
The Sabine bard. Oh evenings, I reply,
More to be prized and coveted than yours,
As more illumined and with nobler truths,
That I, and mine, and those we love, enjoy.

Is Winter hideous in a garb like this?
Needs he the tragic fur, the smoke of lamps,
The pent-up breath of an unsavoury throng
To thaw him into feeling, or the smart
And snappish dialogue that flippant wits
Call comedy, to prompt him with a smile?
The self-complacent actor, when he views
(Stealing a sidelong glance at a full house)
The slope of faces from the floor to the roof,
As if one master-spring controlled them all,
Relaxed into