nature of an imperative
command, which he could not refuse to obey.

He accepted and agreed to speak. They had asked him to respond to the
toast of "The Ladies," but for him the subject was worn out. He had
already responded to that toast at least twice. He telegraphed that
there was one class of the community that had always been overlooked upon
such occasions, and that if they would allow him to do so he would take
that class for a toast: the babies. Necessarily they agreed, and he
prepared himself accordingly.

He arrived in Chicago in time for the prodigious procession of welcome.
Grant was to witness the march from a grand reviewing stand, which had
been built out from the second story of the Palmer House. Clemens had
not seen the General since the "embarrassing" introduction in Washington,
twelve years before. Their meeting was characteristic enough. Carter
Harrison, Mayor of Chicago, arriving with Grant, stepped over to Clemens,
and asked him if he wouldn't like to be presented. Grant also came
forward, and a moment later Harrison was saying:

"General, let me present Mr. Clemens, a man almost as great as yourself."
They shook hands; there was a pause of a moment, then Grant said, looking
at him gravely:

"Mr. Clemens, I am not embarrassed, are you?"

So he remembered that first, long-ago meeting. It was a conspicuous
performance. The crowd could not hear the words, but they saw the
greeting and the laugh, and cheered both men.

Following the procession, there were certain imposing ceremonies of
welcome at Haverly's Theater where long, laudatory eloquence was poured
out upon the returning hero, who sat unmoved while the storm of music and
cheers and oratory swept about him. Clemens, writing of it that evening
to Mrs. Clemens, said:

I never sat elbow to elbow with so many historic names before.
Grant, Sherman, Sheridan, Schofield, Pope, Logan, and so on.

What an iron man Grant is! He sat facing the house, with his right
leg crossed over his left, his right boot sole tilted up at an
angle, and his left hand and arm reposing on the arm of his chair.
You note that position? Well, when glowing references were made to
other grandees on the stage, those grandees always showed a trifle
of nervous consciousness, and as these references came frequently
the nervous changes of position and attitude were also frequent.
But Grant! He was under a tremendous and ceaseless bombar