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r excuse, too, if you accept the loan on my terms. In any case, I rely on the sympathy and forbearance of the man to whom I owe my life. "After what I have now written, there is only one thing to add. I beg to decline accepting your excuses; and I shall expect to see you tomorrow evening, as we arranged. I am an obstinate old woman--but I am also your faithful friend and servant, "MARY CALLENDER." Ernest looked up from the letter. "What can this possibly mean?" he wondered. But he was too sensible a man to be content with wondering--he decided on keeping his engagement. V. WHAT Doctor Johnson called "the insolence of wealth" appears far more frequently in the houses of the rich than in the manners of the rich. The reason is plain enough. Personal ostentation is, in the very nature of it, ridiculous. But the ostentation which exhibits magnificent pictures, priceless china, and splendid furniture, can purchase good taste to guide it, and can assert itself without affording the smallest opening for a word of depreciation, or a look of contempt. If I am worth a million of money, and if I am dying to show it, I don't ask you to look at me--I ask you to look at my house. Keeping his engagement with Mrs. Callender, Ernest discovered that riches might be lavishly and yet modestly used. In crossing the hall and ascending the stairs, look where he might, his notice was insensibly won by proofs of the taste which is not to be purchased, and the wealth which uses but never exhibits its purse. Conducted by a man-servant to the landing on the first floor, he found a maid at the door of the boudoir waiting to announce him. Mrs. Callender advanced to welcome her guest, in a simple evening dress perfectly suited to her age. All that had looked worn and faded in her fine face, by daylight, was now softly obscured by shaded lamps. Objects of beauty surrounded her, which glowed with subdued radiance from their background of sober color. The influence of appearances is the strongest of all outward influences, while it lasts. For the moment, the scene produced its impression on Ernest, in spite of the terrible anxieties which consumed him. Mrs. Callender, in his office, was a woman who had stepped out of her appropriate sphere. Mrs. Callender, in her own house, was a woman who had risen to a new place in his estimation. "I am afraid you don't thank me for forcing you to keep your engagement," she said, with her friendl
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