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they make up their minds to be guided by circumstances at the time, and not by their own choice. I saw the kind of woman at once, tired of her husband, tired of her brats, regretfully virtuous, craving excitement, always posing as a weeping willow...." These were his very words. Which proves that in all other countries of the world a shopkeeper is a shopkeeper; while in France, and in Paris more particularly, he is a student from a College Royal, a well-read man with a taste for art, or angling, or the theatre, and consumed, it may be, with a desire to be M. Cunin-Gridaine's successor, or a colonel of the National Guard, or a member of the General Council of the Seine, or a referee in the Commercial Court. "M. Adolphe," said the mistress of the establishment, addressing the slight fair-haired assistant, "go to the joiner and order another cedar-wood box." "And now," remarked the shopman who had assisted Duronceret and Bixiou to choose a shawl for Mme. Schontz, "_now_ we will go through our old stock to find another Selim shawl." PARIS, November 1844. ADDENDUM The following personages appear in other stories of the Human Comedy. Bixiou, Jean-Jacques The Purse A Bachelor's Establishment The Government Clerks Modeste Mignon Scenes from a Courtesan's Life The Firm of Nucingen The Muse of the Department Cousin Betty The Member for Arcis Beatrix A Man of Business The Unconscious Humorists Cousin Pons Ronceret, Fabien-Felicien du (or Duronceret) Jealousies of a Country Town Beatrix Talleyrand-Perigord, Charles-Maurice de The Chouans The Gondreville Mystery The Thirteen Letters of Two Brides Victorine Massimilla Doni Lost Illusions Letters of Two Brides End of the Project Gutenberg EBook of Gaudissart II, by Honore de Balzac *** END OF THIS PROJECT GUTENBERG EBOOK GAUDISSART II *** ***** This file should be named 1475.txt or 1475.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/4/7/1475/ Produced by John Bickers, and Dagny Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so th
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