er face; its fierce discontent faded
into a pitiful, humble quiet. Slow, solemn tears gathered in her eyes:
the poor weak eyes turned so hopelessly to the place where Hugh was to
rest, the grave heights looking higher and brighter and more solemn than
ever before. The Quaker watched her keenly. She came to her at last, and
touched her arm.

"When thee comes back," she said, in a low, sorrowful tone, like one
who speaks from a strong heart deeply moved with remorse or pity, "thee
shall begin thy life again,--there on the hills. I came too late; but
not for thee,--by God's help, it may be."

Not too late. Three years after, the Quaker began her work. I end my
story here. At evening-time it was light. There is no need to tire
you with the long years of sunshine, and fresh air, and slow, patient
Christ-love, needed to make healthy and hopeful this impure body and
soul. There is a homely pine house, on one of these hills, whose windows
overlook broad, wooded slopes and clover-crimsoned meadows,--niched into
the very place where the light is warmest, the air freest. It is the
Friends' meeting-house. Once a week they sit there, in their grave,
earnest way, waiting for the Spirit of Love to speak, opening their
simple hearts to receive His words. There is a woman, old, deformed, who
takes a humble place among them: waiting like them: in her gray dress,
her worn face, pure and meek, turned now and then to the sky. A woman
much loved by these silent, restful people; more silent than they, more
humble, more loving. Waiting: with her eyes turned to hills higher
and purer than these on which she lives, dim and far off now, but to be
reached some day. There may be in her heart some latent hope to meet
there the love denied her here,--that she shall find him whom she lost,
and that then she will not be all-unworthy. Who blames her? Something
is lost in the passage of every soul from one eternity to the
other,--something pure and beautiful, which might have been and was not:
a hope, a talent, a love, over which the soul mourns, like Esau deprived
of his birthright. What blame to the meek Quaker, if she took her lost
hope to make the hills of heaven more fair?

Nothing remains to tell that the poor Welsh puddler once lived, but this
figure of the mill-woman cut in korl. I have it here in a corner of my
library. I keep it hid behind a curtain,--it is such a rough, ungainly
thing. Yet there are about it touches, grand sweeps of outline,