could curl up in the leaves there, covered all up, and lie
looking out at the dark."

"I wish we could." As though it was comfortably understood that he did
not mean to be taken seriously.

"Like what all the poets say--brown nymph and faun."

"No. I can't be a nymph any more. Too old----Erik, am I old? Am I faded
and small-towny?"

"Why, you're the youngest----Your eyes are like a girl's. They're
so--well, I mean, like you believed everything. Even if you do teach
me, I feel a thousand years older than you, instead of maybe a year
younger."

"Four or five years younger!"

"Anyway, your eyes are so innocent and your cheeks so soft----Damn it,
it makes me want to cry, somehow, you're so defenseless; and I want to
protect you and----There's nothing to protect you against!"

"Am I young? Am I? Honestly? Truly?" She betrayed for a moment the
childish, mock-imploring tone that comes into the voice of the most
serious woman when an agreeable man treats her as a girl; the childish
tone and childish pursed-up lips and shy lift of the cheek.

"Yes, you are!"

"You're dear to believe it, Will--ERIK!"

"Will you play with me? A lot?"

"Perhaps."

"Would you really like to curl in the leaves and watch the stars swing
by overhead?"

"I think it's rather better to be sitting here!" He twined his fingers
with hers. "And Erik, we must go back."

"Why?"

"It's somewhat late to outline all the history of social custom!"

"I know. We must. Are you glad we ran away though?"

"Yes." She was quiet, perfectly simple. But she rose.

He circled her waist with a brusque arm. She did not resist. She did
not care. He was neither a peasant tailor, a potential artist, a
social complication, nor a peril. He was himself, and in him, in the
personality flowing from him, she was unreasoningly content. In his
nearness she caught a new view of his head; the last light brought out
the planes of his neck, his flat ruddied cheeks, the side of his nose,
the depression of his temples. Not as coy or uneasy lovers but as
companions they walked to the boat, and he lifted her up on the prow.

She began to talk intently, as he rowed: "Erik, you've got to work! You
ought to be a personage. You're robbed of your kingdom. Fight for it!
Take one of these correspondence courses in drawing--they mayn't be any
good in themselves, but they'll make you try to draw and----"

As they reached the picnic ground she perceived that it was dark, that
the