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The Project Gutenberg EBook of The Mirror of Taste, and Dramatic Censor, Vol. I, No. 6, June 1810, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Mirror of Taste, and Dramatic Censor, Vol. I, No. 6, June 1810 Author: Various Editor: S. C. Carpenter Release Date: November 3, 2008 [EBook #27138] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MIRROR OF TASTE, JUNE 1810 *** Produced by Barbara Tozier, Bill Tozier, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. THE MIRROR OF TASTE, AND DRAMATIC CENSOR. Vol. I. JUNE, 1810. No. 6. HISTORY OF THE STAGE. CHAPTER VI. THE ROMAN DRAMA. In proportion as the Romans yielded to the habit of imitating the Greeks, they advanced into refinement, and receded from their characteristic roughness and ferocity. Their pace, however, was very slow, for imagining rudeness and brutality to be synonimous with independence, they indulged and prided themselves in an adherence to their original coarseness and despised the manners of the Grecians, as the latter did those of the Persians, for their extreme refinement and effeminacy. Of the drama there is not to be found a trace on the records of Rome till more than three hundred and fifty years after the building of the city. The people had revels and brutal debauches at which rude compositions filled with raillery and gross invective were sung, accompanied with indecent action and lascivous gestures. But the raillery they used was so personal and calumnious that riots constantly ensued from the resentment of the injured parties, in consequence of which the senate passed a law, in the three hundred and second year of the city, condemning to death any person who should injure the reputation of his neighbour. It was a full century after that law when, on occasion of great public calamity, they, in order to appease the divine wrath instituted feasts in honour of the gods, and those feasts for the first time exhibited a sort of irregular theatrical performances, composed wholly of imitation. The actors in those may in all probability be placed on a level with those cal
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