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engaging himself in tasks that entail time, expense, thankless labour, often ridicule, and not seldom great personal danger. To explain, by the application of science, phenomena attributed to spiritual agencies has been the work of my life. I have, naturally, gone through strange difficulties in accomplishing my mission. I propose in these pages to relate the histories of certain queer events, enveloped at first in mystery, and apparently dark with portent, but, nevertheless, when grappled with in the true spirit of science, capable of explanation. ----------------------------------------------------------------------- I THE MYSTERY OF THE CIRCULAR CHAMBER One day in late September I received the following letter from my lawyer:-- "My Dear Bell,-- "I shall esteem it a favour if you can make it convenient to call upon me at ten o'clock to-morrow morning on a matter of extreme privacy." At the appointed hour I was shown into Mr. Edgcombe's private room. I had known him for years--we were, in fact, old friends--and I was startled now by the look of worry, not to say anxiety, on his usually serene features. "You are the very man I want, Bell," he cried. "Sit down; I have a great deal to say to you. There is a mystery of a very grave nature which I hope you may solve for me. It is in connection with a house said to be haunted." He fixed his bright eyes on my face as he spoke. I sat perfectly silent, waiting for him to continue. "In the first place," he resumed, "I must ask you to regard the matter as confidential." "Certainly," I answered. "You know," he went on, "that I have often laughed at your special hobby, but it occurred to me yesterday that the experiences you have lived through may enable you to give me valuable assistance in this difficulty." "I will do my best for you, Edgcombe," I replied. He lay back in his chair, folding his hands. "The case is briefly as follows," he began. "It is connected with the family of the Wentworths. The only son, Archibald, the artist, has just died under most extraordinary circumstances. He was, as you probably know, one of the most promising water-colour painters of the younger school, and his pictures in this year's Academy met with universal praise. He was the heir to the Wentworth estates, and his death has caused a complication of claims from a member of a collateral branch of the family, who, when the present squ
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