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Project Gutenberg's French Polishing and Enamelling, by Richard Bitmead This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: French Polishing and Enamelling A Practical Work of Instruction Author: Richard Bitmead Release Date: March 6, 2006 [EBook #17935] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK FRENCH POLISHING AND ENAMELLING *** Produced by K.D. Thornton and the Online Distributed Proofreading Team at http://www.pgdp.net FRENCH POLISHING AND ENAMELLING A Practical Work of Instruction INCLUDING NUMEROUS RECIPES FOR MAKING POLISHES, VARNISHES, GLAZE-LACQUERS, REVIVERS, ETC. BY RICHARD BITMEAD AUTHOR OF "THE CABINET-MAKER'S GUIDE," "THE UPHOLSTERER'S GUIDE," ETC. Fourth Edition [Illustration: Capio Lumen] LONDON CROSBY LOCKWOOD AND SON 7, STATIONERS' HALL COURT, LUDGATE HILL 1910 [_All rights reserved_] PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, LONDON AND BECCLES. AUTHOR'S PREFACE. Early in the present century the method generally adopted for polishing furniture was by rubbing with beeswax and turpentine or with linseed-oil. That process, however, was never considered to be very satisfactory, which fact probably led to experiments being made for the discovery of an improvement. The first intimation of success in this direction appeared in the _Mechanic's Magazine_ of November 22, 1823, and ran as follows: "The Parisians have now introduced an entirely new mode of polishing, which is called _plaque_, and is to wood precisely what plating is to metal. The wood by some process is made to resemble marble, and has all the beauty of that article with much of its solidity. It is even asserted by persons who have made trial of the new mode that water may be spilled upon it without staining it." Such was the announcement of an invention which was destined ultimately to become a new industry. The following pages commence with a description of the art of French Polishing in its earliest infancy, care having been taken by the Author, to the best of his ability, to note all the new processes and manipulations, as well as to concisely and perspicuously arrange and describe the various materials emp
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