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night they broke in his doors and windows, and overturned his counters and sugar barrels. It was too much for Radford, and he sold out next day to William G. Green for a four-hundred-dollar note signed by Green. At the latter's request, Lincoln made an inventory of the stock, and offered him six hundred and fifty dollars for it--a proposition which was cheerfully accepted. Berry and Lincoln, being unable to pay cash, assumed the four-hundred-dollar note payable to Radford, and gave Green their joint note for two hundred and fifty dollars. The little grocery owned by James Rutledge was the next to succumb. Berry and Lincoln bought it at a bargain, their joint note taking the place of cash. The three stocks were consolidated. Their aggregate cost must have been not less than fifteen hundred dollars. Berry and Lincoln had secured a monopoly of the grocery business in New Salem. Within a few weeks two penniless men had become the proprietors of three stores, and had stopped buying only because there were no more to purchase. [Illustration: THE EARLIEST PORTRAIT OF ABRAHAM LINCOLN (REPRINTED FROM McCLURE'S FOR NOVEMBER). From a daguerreotype in the possession of the Hon. Robert T. Lincoln, taken before Lincoln was forty, and first published in the McCLURE'S Life of Lincoln. Of the sixty or more portraits of Lincoln which will be published in this series of articles, thirty, at least, will be absolutely new to our readers; and of these thirty none is more important than this early portrait. It is generally believed that Lincoln was not over thirty-five years old when this daguerreotype was taken, and it is certainly true that it is the face of Lincoln as a young man. "About thirty would be the general verdict," says Mr. Murat Halstead in an editorial in the Brooklyn "Standard-Union," "if it were not that the daguerreotype was unknown when Lincoln was of that age. It does not seem, however, that he could have been more than thirty-five, and for that age the youthfulness of the portrait is wonderful. This is a new Lincoln, and far more attractive, in a sense, than anything the public has possessed. This is the portrait of a remarkably handsome man.... The head is magnificent, the eyes deep and generous, the mouth sensitive, the whole expression something delicate, tender, pathetic, poetic. This was the young man with whom the phantoms of romance dallied, the young man who recited poems and was fanciful and speculative, and
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